Mark Hartley

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

Patrick lays comatose in a small private hospital, his only action being his involuntary spitting. When a pretty young nurse, just separated from her husband, begins work at the hospital, she senses that Patrick is communicating with her, and he seems to be using his psychic powers to manipulate events in her life.

A troubled teenage girl who’s struggling to cope with the accidental death of her father suspects that the mysterious killer stalking her hometown is not only her neighbour but her mother’s new romantic interest.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

A detailed look at the history of horror anthology films.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

Patrick lays comatose in a small private hospital, his only action being his involuntary spitting. When a pretty young nurse, just separated from her husband, begins work at the hospital, she senses that Patrick is communicating with her, and he seems to be using his psychic powers to manipulate events in her life.

A troubled teenage girl who’s struggling to cope with the accidental death of her father suspects that the mysterious killer stalking her hometown is not only her neighbour but her mother’s new romantic interest.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A Video essay where Andrew Mercado discusses Ozploitation rarities. The Australian films discussed are: Final Cut [or Death Games] (1980), Road Games(1981), Alvin Rides Again (1974), Lady Stay Dead (1981), Night Of Fear (1973), Inn Of The Damned (1975), Crosstalk (1982).

First there was ‘Picnic at Hanging Rock’, then ‘My Brilliant Career’, and now best of all ‘The Getting of Wisdom’. It is incomparably moving and powerful.

Gold! Gold!! Gold!!! is the fifth and final TISM VHS, featuring interviews, live performances, music videos and TV appearances.

A documentary about the making of Gillian Armstrong's 1982 film STARSTRUCK.

No synopsis available yet.

No synopsis available yet.

A Feature Length Documentary On The Making Of The Film Featuring Exclusive Interviews With Peter Weir, Hal & Jim Mcelroy, Patricia Lovell and much more

SWEAT IT OUT! charts the rise and fall of the iconic Australian music scene, affectionately dubbed ‘Oz Rock’. It’s the story of ambition, power and passion. Of the bands that succeeded, and those that didn’t. It’s a tale of oversized, colourful characters who risked it all – and the legion of fans who joined them on their journey, sweating it out in the tiny inner urban pubs, massive outer suburban beer barns and jampacked provincial hotels. It’s the story of a country forging its identity through music and an ethos of bands that toured longer, drove further and played harder to be heard. When bands would play live seven nights a week, sometimes playing three gigs in one day – sometimes even playing three gigs, in three different states, in the one day!

SWEAT IT OUT! charts the rise and fall of the iconic Australian music scene, affectionately dubbed ‘Oz Rock’. It’s the story of ambition, power and passion. Of the bands that succeeded, and those that didn’t. It’s a tale of oversized, colourful characters who risked it all – and the legion of fans who joined them on their journey, sweating it out in the tiny inner urban pubs, massive outer suburban beer barns and jampacked provincial hotels. It’s the story of a country forging its identity through music and an ethos of bands that toured longer, drove further and played harder to be heard. When bands would play live seven nights a week, sometimes playing three gigs in one day – sometimes even playing three gigs, in three different states, in the one day!

A look behind the scenes of Razorback (1984).