Onur Ünlü

Yılmaz is the dealer and close friends of famous filmmakers and actors. With the increasing drug operations in Istanbul, Yılmaz is getting paranoid about not being loved by them anymore. This paranoia makes him take bigger risks day by day and he will be destroyed by the desire for being loved.

Turkish film industry has been experiencing a breakthrough in the last ten years. According to 2015 figures, there is a bold uptrend in terms of viewers and film production. Yet without any regulations at work, this growth only made injustices in distribution bigger. While a single cinema chain controls more then 50% of the market, it also started to control distribution and production. In this monopolized environment, there seems to be no country for independent production. With the guidance of producers, distributors, and economists, the film traces the distortion created by the bad economy that has become an obstacle for freedom of choice.

Riza, a garbage man becomes obsessed in her old mother when he finds a woman's corpse in a garbage can. But someday he meets with his new neighbor,a beautiful widow and starts to lose track of reality, stuck between his love and her mother.

An ex-thief returns for the revange of his father's murder makes an intelligent plan to reach the killer, a godfather named as Ghost. During his robbery operations, he plays with the police chief who is trying to stop him. In his final robbery, he finds something different than what he expects, something bigger.

Aydın is a policeman recently appointed to a new post in Istanbul. While trying to get used to life in the big city, Aydın stumbles upon Mehtap, a young woman who works at a candy shop in Beyoğlu, and he falls for her. But there is no way that Aydın can make Mehtap realize that he even exists, just as Şevket, a young man who has dropped out of law school before starting to sell toy trains on the streets to make a living, cannot make Dilek, another girl who works at the same store, realize his feelings for her. When Dilek and Aydın meet, Aydın diverts his uncontrollable feelings toward Dilek.

Aydın is a policeman recently appointed to a new post in Istanbul. While trying to get used to life in the big city, Aydın stumbles upon Mehtap, a young woman who works at a candy shop in Beyoğlu, and he falls for her. But there is no way that Aydın can make Mehtap realize that he even exists, just as Şevket, a young man who has dropped out of law school before starting to sell toy trains on the streets to make a living, cannot make Dilek, another girl who works at the same store, realize his feelings for her. When Dilek and Aydın meet, Aydın diverts his uncontrollable feelings toward Dilek.

Orhan, who works as a literature professor at a university in Eskisehir, unexpectedly ends his relationship with Ayse whom he was planning to marry, and comes to Istanbul where he meets Oya. After living possibly the happiest days of his life with Oya, who is a photographer, Orhan finds himself in the midst of a challenging love triangle as a result of the horrible things they encounter the first days of their marriage.

A young man born into an oligarch family is so spoiled that he believes he's above the law. When he faces jail, his father decides to 'rehabilitate' his son. An abandoned village is reconstructed, 19th century style. The spoiled brat 'goes back in time', reincarnated as a serf, to learn how to appreciate life and to work hard.

Şale Apartment is a building that houses all kinds of people. There is a doorman loved by everyone, a couple with a happy marriage, an elderly lady who is loved by the neighborhood cats, and curious neighbors... One day, a young woman is taken to the hospital, and then another woman moves in, causing a stir in the building. The new neighbor is a young woman from a shelter. The woman, who has a troubled past, starts a new chapter in her life with her new boyfriend. In her new world, she feels safer than ever before. But is she truly safe? Having moved into Şale Apartment and brought many people into her life, whom should the woman truly trust?

Based on William Shakespeare's Romeo and Juliet, set in Istanbul, the tragic story of three heroes chasing an unlikely dream, running towards their sad end in a Shakespearean manner.

Based on William Shakespeare's Romeo and Juliet, set in Istanbul, the tragic story of three heroes chasing an unlikely dream, running towards their sad end in a Shakespearean manner.

Although it sounds good in theory, the miracle of becoming the Son of the Sun doesn't in practice turn out the way Fikri Şemsigil expects. His whole life depends on this one "big" day, but the consequences of this miracle disappoint Fikri as his life is turned upside down. To rid himself of this so-called miracle, Fikri decides to explore its source but there's still the big problem with the woman in the building across the street!

Although it sounds good in theory, the miracle of becoming the Son of the Sun doesn't in practice turn out the way Fikri Şemsigil expects. His whole life depends on this one "big" day, but the consequences of this miracle disappoint Fikri as his life is turned upside down. To rid himself of this so-called miracle, Fikri decides to explore its source but there's still the big problem with the woman in the building across the street!

Oktay, who works in an instrument workshop, is in love with one of his clients, Sibel. Oktay, who could not say his love to Sibel, was the subject of ridicule of his colleagues. As Oktay tries to confront his feelings, he will oscillate between good and evil.

The story follows our hero, nicknamed "Child," who was kidnapped at a young age and fell into the hands of a gang of thieves. When he meets "Rüya" (Tuba Ünsal), who hates children but hosts a children's program on a special TV channel, a series of complicated events unfold for both sides. Our child hero is one of the most successful thieves in the gang. The reason for his theft is that for every 30,000 YTL he steals, the gang returns one child to their family.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

Selman is a former boxer who once was interested in anthropology, an extraordinary imam who now works in a mosque. One day, while praying in the mosque, gunshots are echoed. One of the people inside collapses and dies. The police come to the scene and collect the first evidence and start the investigation process. He takes action after this event and decides to resolve the case through some people and circumstances he suspects. Every clue leads to an unexpected point and the events become increasingly mysterious.

Selman is a former boxer who once was interested in anthropology, an extraordinary imam who now works in a mosque. One day, while praying in the mosque, gunshots are echoed. One of the people inside collapses and dies. The police come to the scene and collect the first evidence and start the investigation process. He takes action after this event and decides to resolve the case through some people and circumstances he suspects. Every clue leads to an unexpected point and the events become increasingly mysterious.

Selman is a former boxer who once was interested in anthropology, an extraordinary imam who now works in a mosque. One day, while praying in the mosque, gunshots are echoed. One of the people inside collapses and dies. The police come to the scene and collect the first evidence and start the investigation process. He takes action after this event and decides to resolve the case through some people and circumstances he suspects. Every clue leads to an unexpected point and the events become increasingly mysterious.

Salim, a homicide detective, is a reclusive man in his 30s. Salim, who is divorced and has a 3-year-old daughter, learns that the eye treatment he has been undergoing for some time is not working and that he will eventually go completely blind. While trying to cope with this problem, he begins working on a new murder case, and the fact that the wife of the murdered man, Handan Hanım, is also a blind pianist makes Salim's situation even more interesting. As the case progresses, Salim falls deeply in love with Handan Hanım, but when she rejects him, he turns his attention to Leyla, the blind wife of the prime suspect in the murder. But undoubtedly the strangest thing is that Salim's beloved mother is an elderly, blind prostitute. As events unfold, Salim becomes even more blinded.

Salim, a homicide detective, is a reclusive man in his 30s. Salim, who is divorced and has a 3-year-old daughter, learns that the eye treatment he has been undergoing for some time is not working and that he will eventually go completely blind. While trying to cope with this problem, he begins working on a new murder case, and the fact that the wife of the murdered man, Handan Hanım, is also a blind pianist makes Salim's situation even more interesting. As the case progresses, Salim falls deeply in love with Handan Hanım, but when she rejects him, he turns his attention to Leyla, the blind wife of the prime suspect in the murder. But undoubtedly the strangest thing is that Salim's beloved mother is an elderly, blind prostitute. As events unfold, Salim becomes even more blinded.

In a small town in Anatolia, whose inhabitants possess various supernatural powers but still have to deal with ordinary problems, Cemal helps out in his father’s barbershop and, in his free time, acts as a football referee.

In a small town in Anatolia, whose inhabitants possess various supernatural powers but still have to deal with ordinary problems, Cemal helps out in his father’s barbershop and, in his free time, acts as a football referee.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.