Gabriella Cristiani

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

All her life, an overweight girl has been ignored by her rich and attractive mother. But when the ugly duckling becomes a swan, she turns into a world-class tease, exacting her revenge by seducing her mother's boyfriend...

In Nicaragua, 1977, corruption and abuse of power are everyday occurrences under the Somoza family’s dictatorship. Eruptions of violence lead to a civil war, which the Sandinista revolutionaries win – at least for the time being. Against this backdrop, the conflict between a young soldier of the Somoza regime and his family, who sympathize with the insurgents, is illustrated.

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.