Wang Lai

Mr. Chu is an elderly widower who teaches tai chi chuan in Beijing. He moves to America to live with his son's family, but finds the cultural adjustment difficult. Since his daughter-in-law is a white woman who does not speak Chinese, Mr. Chu's son, Alex, must mediate.

Someone in a prison run by a corrupt warden fakes the deaths of convicts to later use them as expendable assassins. A police officer is sent into the prison to gather evidence of the corruption.

Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.

No synopsis available yet.

A light-hearted comedy about a struggle between a maverick actress and her stubborn and conservative brother-in-law, which represents a debate between individualistic values and family obligations. Apparently the happy enlightenment of Li represents a triumph of the latter over the former. Li, Zhang and Lei Zhen, who plays the role of Li's husband, all showcase their distinctive personalities in their portraits of the characters.

Bai Yu Lung's father mysteriously disappears one night, and for 10 years Bai searches for him in vain. Finally, he decides to head to the far northern part of the country with the hope that he can find a clue in that region. There, he falls in love with a beggar (Cheng Pei-pei) and they continue the search together.

Rebellious Yu Yuan-gi becomes a Taoist priestess in order to avoid traditional roles designated to her as a woman by the society and focus on her studies and poetry. However, her trysts with both her maid and a ronin lead to trouble.

Tang Dynasty emperors, Ming Dynasty scholars, assorted fortunetellers, and several Buddhist monks figure in a trio of erotic and mystical Chinese legends.

Two stories are included in this erotic/romantic anthology. In the first, a Sung-Dynasty (10th-13th century) Buddhist monk is tricked into sexual relations with an unscrupulous female adventurer. He dies soon after with his misdeed on his conscience. In the second, the daughter of a woman who died in a brothel discovers that her mother died an unnatural death and seeks revenge.

Love, Love, Love is a Taiwanese film, released in 1974 by Central Motion Pictures Corporation and spoken in Mandarin. It stars Charlie Chin as Li Ai-fang and Brigitte Lin as Lin Chuen-chuen. Chin Chuan is co-starring in this film. It was written, composed, and directed by Liu Chia-chang.

Iron Bones, about a young lad that learns a secret Tai Chi type of style called the Wind Palm, where you can kill with chi blows. Sure, it's a little crazy, but the acting is a big cut above most martial arts movies and the sword fights are pretty good. And Sam the Seed shows up, sans wig, as a dirtbag Shaolin monk after the book. Han Ying Chieh, the big boss, is one of the thugs in the background.

A compulsive gambler weds a ghost who helps and hinders him in both horrid and hilarious ways.

The thrills continue in this second part of this cherished adventure, created by the renowned director Chu Yuan and ingenious novelist Chin Yung. Only the union of the title weapons can save the six remaining martial arts sects who are vying for mastery. So just sit back and enjoy the movie event which spawned a legacy that continues even today with a long-running, internationally loved television series, a role-playing game, and even collectible replicas of the Heaven Sword and Dragon Sabre themselves!

Story about a newspaper reporter who stumbles upon a nest of vampires living in contemporary Hong Kong.

This is a film about the movie industry, about favors, hooking up etc. It is mostly set in Copenhagen and the story begins with the son of a big producer going to Copenhagen from Hong Kong trying to seal a deal. He gets involved with the Denmark girls.

A tangled murder mystery unfolds amid a complex love triangle. As conflicting witness accounts emerge, the truth about the victim and key suspects is revealed, leading investigators down a dark and twisty path where nothing is as it seems.

Director Chu Yuan's titanic teaming with respected, inspired author Chin Yung created this unforgettable saga. Set during the Yuan Dynasty, it tells the fascinating story of the "Sacred Fire" sect, the Wu Tang swordsmanship clan, the disciples of the O Mei group, The Book of Chu Yang, and the destruction of Shaolin - complete with a killer cliffhanger. And that's just the start of the fascinating intrigues and ingratiating characters found here.

TIGER KILLER (1982) is a straightforward adaptation of one story from the sprawling Chinese literary epic, "The Water Margin." It tells the tale of Wu Song, who slays a man-eating tiger preying on farmers and villagers and becomes the hero of the province, getting appointed as a constable by the local magistrate. He is reunited with his older brother, the short, disfigured Wu the Elder, a peddler of buns, who invites Wu Song to move in with him and his new wife. The wife, Golden Lotus, is an attractive young former maid who had been forced to marry Wu the Elder as punishment for getting caught in bed with her master by the master's wife. She takes a liking to the handsome, strong Wu Song, who rebuffs her attempts to seduce him. When Wu Song is sent on a long journey, the wife begins an affair with a rich local merchant. When Wu Song returns from his mission, he is met with shocking news which sets off a series of violent acts of retribution.

In the 18th century, Emperor Chien Lung makes a journey into Southern China.

The movie is about an illegal salt smuggling ring run by Tanny and her male partner, who spend most of the movie arguing which one of them is going to sacrifice him/herself and surrender to the police.

The year is 1756 and the Emperor journeys to Soochow, where he encounters a famous courtesan and gets involved with in all sorts of un-emperor-like activities.

Venom regulars Philip Kwok, Chiang Sheng, and Sun Chien star as a gang of unemployed martial artists who spend their days stuffing their faces at local restaurants and letting the staff beat them up instead of paying the bill. Their fortunes appear to improve when the head of a local security agency hires them to take out the competition, who their new employer insists is up to no good. But the boys are being played for fools, and after an unfortunate misunderstanding, they unite with their former adversary to take out the true villain.

No synopsis available yet.

Lotus never had a chance. Her mother seethed with anger at being unjustly imprisoned for turning her attemped rapist into a cyclops. Mother repeatedly asked her good friend and fellow prisoner, Pickpocket, to urge Lotus to take revenge for her as an adult. Lotus is given to a monastery and grows up there, but twenty years of peace and love make no impression on Lotus, who skips classes to practice pole and sword skills. Joining forces with Pickpocket and Big Rat, Lotus gets her chance at revenge.