Mirna Spritzer

Hilário Pestana, the most famous, funniest and, ironically, saddest Brazilian actor, has died. He has passed through many stages of Brazilian cinema: the chanchadas, the Vera Cruz classics, the pornochanchadas, and even experimental movies. He was beloved by the public and had a gift for laughter, but he only desired to be a serious man.

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

No synopsis available yet.

A fiction film based on the real story of a 16 year-old boy who, aided by the internet, won over the world with his talent for music and art. Fluent in five languages, Yonlu had a network of virtual friends on all continents. However, no one suspected he was also taking part in a forum for potential suicide.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

A wedding in the interior of Rio Grande, 1930. Among the guests, a lover of the bride, accompanied by his pregnant wife. Amid the joy of the party, the lovers decide to run away. So, the groom gathers a group of friends and sets out to seek revenge.

The sierras of southern Brazil, 1963. The son of an French man and a Brazilian woman, Tony is a young man with a profound love of cinema and poetry. After graduating from college he returns to his small town in rural Brazil, to find out that his father had left for good, back to France. Tony then looks for the company of his fathers friends in search of information and references of a lost male role-model. He becomes a school teacher and a male figure to kids, in an attempt to provide them with something he lacks himself. A series of developments lead him to a surprising final lead on his fathers' whereabouts and reasons for leaving.

The countryside of Rio Grande do Sul, and high-school student, Daniel, spends a normal adolescence life with his family, studying, riding his bicycle, playing games on the Internet and expecting one day to move to the big city of Porto Alegre. Daniel has a crush on his girlfriend Mim, who has just broken up with him but is still his friend, and his best friend, Lucas, is one of the best students in São Lucas High-School. Daniel is the son of Elaine and the photographer Daniel, who left Elaine when she was pregnant and moved alone to Thailand. Daniel is raised by Elaine and his stepfather Antônio, and shares a house with his half-sister, Maria Clara. One day, Daniel receives a letter from his biological father, who has malaria, and he is reluctant to open the envelope.

In Porto Alegre, the unemployed Ciro has a dull life in a simple apartment with a nameless stray dog that he had found on the streets. Ciro is supported by his parents and works every now and then in translation of Russian. When he meets the aspirant actress Marcela, who dreams on traveling to other places, they immediately fall in love for each other. However, Marcela has a lymphoma and travels for a treatment, and alone Marcelo becomes depressed and returns to his parents home.

No synopsis available yet.

Ernesto, a seventy-eight-year-old Uruguayan photographer living in Brazil, faces the limitations of old age. One day, Bia storms into his life. And Ernesto realizes that aging can be about rejuvenating with the company of a girl.

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.