Dana Němcová

A group of the bourgeois head for a prominent figure's birthday party. As they venture through the woods and have a picnic, they're suddenly surrounded by some suspicious strangers.

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From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s ini­mitable point of view.

Meet The Plastic People of the Universe, the avant-garde, jazz-rock, Sun Ra meets Velvet Underground, Czech revolutionaries. A tribute to the band that against all odds used the power of their music to help topple their oppressive government.

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.