Fabian Stumm

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

Druck follows a group of friends in their teen life in Berlin and deals with daily and current events, like friendship, love and the search for their own identity. Every season centers on a new character.

Follow Helene, who is in her mid-twenties and who is not nicknamed “Hell” for nothing. Her life is anything but relaxed, Helen jumps from one job to the next and privately she keeps stumbling into big and small blunders. Sometimes she wishes she were like her best friend Maike, who travels the world and has already had some success professionally. When she meets the cello teacher Oskar, something like consistency seems to develop for the first time. But can "Hell" lead a quiet and happy life - and does she even want it?

In post-war Germany, liberation by the Allies does not mean freedom for everyone. Hans Hoffmann is repeatedly imprisoned under Paragraph 175, which criminalizes homosexuality. Nevertheless, over the decades, he continues his quest for freedom and love, even if he finds it in the most unusual places.

This outstanding and sensitive drama series tells a young and family audience the stories of children who lived through a most difficult era in recent history - and who grew with its challenges.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

Druck follows a group of friends in their teen life in Berlin and deals with daily and current events, like friendship, love and the search for their own identity. Every season centers on a new character.

Follow Helene, who is in her mid-twenties and who is not nicknamed “Hell” for nothing. Her life is anything but relaxed, Helen jumps from one job to the next and privately she keeps stumbling into big and small blunders. Sometimes she wishes she were like her best friend Maike, who travels the world and has already had some success professionally. When she meets the cello teacher Oskar, something like consistency seems to develop for the first time. But can "Hell" lead a quiet and happy life - and does she even want it?

This outstanding and sensitive drama series tells a young and family audience the stories of children who lived through a most difficult era in recent history - and who grew with its challenges.

A woman creates fake dating profiles until she runs into one of the men she has deceived.

A woman creates fake dating profiles until she runs into one of the men she has deceived.

A woman creates fake dating profiles until she runs into one of the men she has deceived.

Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.

Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.

Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.