
Acting
Marta Anderson
Born 1945-05-20 · Vila Velha, Espírito Santo, Brazil
Acting credits
A couple of filmmakers facing difficulties to make a film in the midst of an economic crisis, affecting the relationship between them.
Amenic - Entre o Discurso e a Prática
1984
5.0A plane crashes in the Amazon jungle, and its passengers must battle their way through cannibals, slave traders, wild animals and murderous piranha fish to safety.
Massacre in Dinosaur Valley
1985
6.8After the death of her handsome but good-for-nothing husband Vadinho, Flor, a widow, marries Dr. Teodoro, a respectable gentleman. Hilarity ensues when Vadinho's spirit returns into her life.
Dona Flor and Her Two Husbands
1976
5.5A widow named Sandra is on a trip from the city to reclaim her remote beach house from squatters. She picks up a hippie couple along the way, eventually inviting them to become housesitters at her coastal getaway.
The Empire of Desire
1981
4.6Zionists hire a hitman to kill a Nazi war criminal exiled in a Latin American country, where he's being protected by the local dictator. Get ready for gunshots; sex scenes; strange form of tortures; a cocaine-addict priest who helps the dictatorship; contemptous remarks and behavior from the main "hero"; amusing sequences of Chuchu having fun with beautiful women pretending to be James Bond; and the wimp colonel who is in love with a male prostitute. It's all good and fun to watch but remember that this is a product of its era, so it's quite possible to see some objectionable things. But for the most part it's never crass or insanely offensive.
The Torturer
1980
8.0No synopsis available yet.
Deu a Louca nas Mulheres
1977
3.7Dr. Brochard, the owner of the massage clinic "Academia Mãos de Ouro" in Rio de Janeiro, fires two employees for prostituting themselves on the side to the customers. In their place he hires two virgins, Virgem and Berta who are both immediately set upon by the womanizing driver Duda de Almeida.
The Massage Professionals
1976
4.0No synopsis available yet.
Mulher de Programa
1981
2.3This outlandish compilation of trailers and clips spotlights the women-in-prison sub-genre of grindhouse exploitation films.
Babes Behind Bars
2013
5.6A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.
The Giant of America
1980
6.5No synopsis available yet.
Sabendo Usar Não Vai Faltar
1977
8.0Shortly before becoming a priest, a young man decides to run away from the seminary and goes to Rio de Janeiro. There he will face a series of problems, most of them related to carnal temptations.
O Padre Que Queria Pecar
1975
4.3As soon as Mauro, an Administration student, discovers a strong vocation for mediumship, he drops everything to go deeper and dedicate himself to Umbanda, a religion he embraces so strongly that it makes him give up his studies. Determined to open his own spiritist center, Mauro moves to the countryside.
Prova de Fogo
1980
7.0No synopsis available yet.
As Loucuras de Um Sedutor
1977
7.0No synopsis available yet.
A Mulata que Queria Pecar
1977
6.2In a movie studio, the actors are getting made up and the crew is waiting to begin shooting the film. Grande Otelo, the bungling "king of the deck", and Marta Anderson, the blond and provocative star of the show, recite in the historical scenario of the chanchadas, the abandoned studios of Cinédia. "The photography is splendid, it is a sort of parallel song, of critique, of parody, of understanding of a certain light typical of Brazilian cinema of the times, already re-created, already stylized. And with the older actors, Otelo, Lewgoy and the others, something very important happened in the artistic perception, seeing again, doing again, it was already a concrete metalanguage" (J. Bressane).
King of the Cards
1975
4.9In a women's prison in Brazil, the inmates are young and beautiful, the warden is a sadist, all but one of the guards are cruel, and the nurse is an incompetent cuckoo. To make it difficult for the inmates to hide contraband, they wear no underwear. They are alternately murderous and orgiastic with each other, and they engage in sex play with some of the guards. The warden pimps out inmates to wealthy lesbians. With the help of the nurse and under the cover of Carnival, three inmates stage an escape. Once out, will they contrive to stay undiscovered, or will their natures guarantee an ill-fated end to their attempt?
Bare Behind Bars
1980