Gabriel Mascaro

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Making of Neon Bull

Entering the virtual world of “Second Life”, Brazilian visual artist Paulo Bruscky meets film director Gabriel Mascaro. Mascaro, an ex-film film director from north-east Brazil currently lives and works making machinima (virtual short films) in the “Second Life”. Paulo hires Gabriel to make a machinima documentary of his adventures as a newcomer to the “Second Life”.

In the near future, the elderly must relocate to remote retirement colonies so that the younger generations can go about their work undisturbed. The 77-year-old Tereza refuses and instead embarks on a life-changing journey through the Amazon.

In the near future, the elderly must relocate to remote retirement colonies so that the younger generations can go about their work undisturbed. The 77-year-old Tereza refuses and instead embarks on a life-changing journey through the Amazon.

Seven adolescents take on the mission of filming, for one week, their family's housemaids and hand over the footage to the director to make a film. The images that confront us uncover the complex relationship that exists between housemaids and their employers, a relationship that confuses intimacy and power in the workplace and provides us with an insight into the echoes of a colonial past that linger in contemporary Brazil.

Seven adolescents take on the mission of filming, for one week, their family's housemaids and hand over the footage to the director to make a film. The images that confront us uncover the complex relationship that exists between housemaids and their employers, a relationship that confuses intimacy and power in the workplace and provides us with an insight into the echoes of a colonial past that linger in contemporary Brazil.

In 1965 a VW Beetle is sold in São Paulo, Brazil. Forty years later, the car ends up in a Recife scrapyard in the northeast, with the license plate KFZ-1348. The documentary “The Beetle KFZ-1348” presents the stories of this car through its eight owners, whose lives show a unique portrait of a country.

Seven lives, seven stories, one passion: Frevo. The collaborative writing of a piece which welcomes us to the world of seven great maestros of Pernambuco. Jose Menezes, Nunes, Clovis Pereira, Guedes Peixoto, Duda, Ademir Araujo and Edson Rodrigues - living legends of this rhythm that is an intangible heritage of Brazil. A journey through Frevo.

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.

Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.

Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.

Avenida Brasília Formosa provides a sensorial insight into the contemporary reality of a neighbourhood that was tranformed following the removal of families to make way for the construction of a coastal highway. This is about film of encounters, memories and desires.

Avenida Brasília Formosa provides a sensorial insight into the contemporary reality of a neighbourhood that was tranformed following the removal of families to make way for the construction of a coastal highway. This is about film of encounters, memories and desires.

Penthouse residents of Rio de Janeiro, São Paulo and Recife open up their homes to reveal their thoughts on social inequality, politics, and the world that surrounds them. As well as discussing more intimate subjects such as their desires, fears, insecurities, prejudices and personal histories. This is a film about height, status and power.

Penthouse residents of Rio de Janeiro, São Paulo and Recife open up their homes to reveal their thoughts on social inequality, politics, and the world that surrounds them. As well as discussing more intimate subjects such as their desires, fears, insecurities, prejudices and personal histories. This is a film about height, status and power.

Penthouse residents of Rio de Janeiro, São Paulo and Recife open up their homes to reveal their thoughts on social inequality, politics, and the world that surrounds them. As well as discussing more intimate subjects such as their desires, fears, insecurities, prejudices and personal histories. This is a film about height, status and power.

Rodrigo is a young deaf man from Recife, northeast Brazil who works installing car stereos in a small dealership on the outskirts of town. Despite his deafness, sound penetrates his day to day life and he harnesses its vibrations, allowing it to pulse through his veins.

Rodrigo is a young deaf man from Recife, northeast Brazil who works installing car stereos in a small dealership on the outskirts of town. Despite his deafness, sound penetrates his day to day life and he harnesses its vibrations, allowing it to pulse through his veins.

A global portrait documenting the year's events, Cinetracts '20 features the work of an international lineup of 20 filmmakers. Capturing the zeitgeist in their own backyard, the artists' short films are the culmination of a year-long residency project.

Entering the virtual world of “Second Life”, Brazilian visual artist Paulo Bruscky meets film director Gabriel Mascaro. Mascaro, an ex-film film director from north-east Brazil currently lives and works making machinima (virtual short films) in the “Second Life”. Paulo hires Gabriel to make a machinima documentary of his adventures as a newcomer to the “Second Life”.

Entering the virtual world of “Second Life”, Brazilian visual artist Paulo Bruscky meets film director Gabriel Mascaro. Mascaro, an ex-film film director from north-east Brazil currently lives and works making machinima (virtual short films) in the “Second Life”. Paulo hires Gabriel to make a machinima documentary of his adventures as a newcomer to the “Second Life”.

Upon discovering that her bedridden husband can live another ten years, 83-year-old Luzia decides to go to a comprehensive retreat for the elderly that awakens her most dormant feelings. Upon returning home, she is determined to use every means possible to rejuvenate her life, including starting an unlikely relationship with a detainee at a juvenile detention center, where she volunteers.

Upon discovering that her bedridden husband can live another ten years, 83-year-old Luzia decides to go to a comprehensive retreat for the elderly that awakens her most dormant feelings. Upon returning home, she is determined to use every means possible to rejuvenate her life, including starting an unlikely relationship with a detainee at a juvenile detention center, where she volunteers.