
Directing
Ícaro Martins
Acting credits
Behind the camera
5.8São Paulo, 1983: Women’s soccer has just been legalized in Brazil. A group of rebellious young women form the Gayvotas Football Club and begin training for their first match. But as the team quickly becomes a media sensation, its members are forced to confront the prejudices of the conservative military dictatorship that they live under.
New Wave
1984
5.8São Paulo, 1983: Women’s soccer has just been legalized in Brazil. A group of rebellious young women form the Gayvotas Football Club and begin training for their first match. But as the team quickly becomes a media sensation, its members are forced to confront the prejudices of the conservative military dictatorship that they live under.
New Wave
1984
5.2An aspiring actress is hired to dub a recently deceased movie star in an upcoming erotic thriller. As the recording sessions go on, the voice actress finds herself slowly being influenced by the dead star’s presence.
Naked Star
1984
5.2An aspiring actress is hired to dub a recently deceased movie star in an upcoming erotic thriller. As the recording sessions go on, the voice actress finds herself slowly being influenced by the dead star’s presence.
Naked Star
1984
5.3An innocent working girl finds a hole in her wall through which she can see the action in her neighboring apartment, where a prostitute meets her bizarre clients.
O Olho Mágico do Amor
1982
5.3An innocent working girl finds a hole in her wall through which she can see the action in her neighboring apartment, where a prostitute meets her bizarre clients.
O Olho Mágico do Amor
1982
10.0An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.
Maria: Don't Forget I Come From the Tropics
2017
10.0An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.
Maria: Don't Forget I Come From the Tropics
2017
5.2Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.
Light in Darkness: The Return of Red Light Bandit
2012
