Roger Tilton

Few films wield the awesome spiritual power of Jazz Dance, on which Leacock was one of two cameramen charting the slow, smoldering build of a Manhattan dance club from idle space to explosive, carnal bacchanal. Employing handheld cameras, limited light and sheer proximity, the film achieved an intimacy never before witnessed in a documentary.

Three hopefuls try to earn a position as a member of the United States men's national volleyball team. The try-outs are extremely competitive and they find very difficult to handle the unconventional and rigorous training methods developed by the team's coach

Few films wield the awesome spiritual power of Jazz Dance, on which Leacock was one of two cameramen charting the slow, smoldering build of a Manhattan dance club from idle space to explosive, carnal bacchanal. Employing handheld cameras, limited light and sheer proximity, the film achieved an intimacy never before witnessed in a documentary.

Few films wield the awesome spiritual power of Jazz Dance, on which Leacock was one of two cameramen charting the slow, smoldering build of a Manhattan dance club from idle space to explosive, carnal bacchanal. Employing handheld cameras, limited light and sheer proximity, the film achieved an intimacy never before witnessed in a documentary.

Three hopefuls try to earn a position as a member of the United States men's national volleyball team. The try-outs are extremely competitive and they find very difficult to handle the unconventional and rigorous training methods developed by the team's coach

Three hopefuls try to earn a position as a member of the United States men's national volleyball team. The try-outs are extremely competitive and they find very difficult to handle the unconventional and rigorous training methods developed by the team's coach