Shiguéhiko Hasumi

No synopsis available yet.

When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence, he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example, as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.

Jean-Pierre Limosin follows Takeshi Kitano on the set of Kikujiro, films it during an interview with Shiguehiko Hasumi, president of the University of Tokyo and who, as a great film buff, was one of the first to recognize directorial talents of Takeshi Kitano

A short length work by revered critic and theorist Shiguéhiko Hasumi and Shô Miyake, editing together John Ford's thematic system of “throwing” across many of his films. Edited according to which and how much each throwing scene was written about in Hasumi’s John Ford book, this film serves as a definitive version of a collage film initially created by Shinji Aoyama ten years ago. Aoyama, who passed away in March 2022, never saw the completion of his teacher’s book. Recognizing this, Hasumi recommended that Shô Miyake create a definitive version of the collage film, allowing him total creative freedom within a 60-minute runtime limit.

No synopsis available yet.

An overview of the life and work of legendary Japanese filmmaker Kijû Yoshida, a notable figure of the Japanese New Wave.

A short length work by revered critic and theorist Shiguéhiko Hasumi and Shô Miyake, editing together John Ford's thematic system of “throwing” across many of his films. Edited according to which and how much each throwing scene was written about in Hasumi’s John Ford book, this film serves as a definitive version of a collage film initially created by Shinji Aoyama ten years ago. Aoyama, who passed away in March 2022, never saw the completion of his teacher’s book. Recognizing this, Hasumi recommended that Shô Miyake create a definitive version of the collage film, allowing him total creative freedom within a 60-minute runtime limit.