Gérald Frydman

In 1840 it took 5'30" to make a photograph.

A man flees, his face in his hands. He's hiding it, because it refuses to erase. (kg)

A strange town and the odd behaviour of its inhabitants.

Agulana, February 29th, 3 P.M... That day, a concert took place at the Opera, broadcasted on radio and speakers set up in the streets. The entire population was captivated. So they didn't notice when strange incidents started to happen... (kg)

Alephah proposes a vision of the other world and responds intuitively and descriptively to the eternal question: what happens when we die?, what journey do we take? As if a film crew had traveled there, to the last lands.

What happens when two editors work in neighboring offices and their films get mixed up? Who will have the right to the "last cut"?.

In 1840 it took 5'30" to make a photograph.

A man flees, his face in his hands. He's hiding it, because it refuses to erase. (kg)

A man flees, his face in his hands. He's hiding it, because it refuses to erase. (kg)

A strange town and the odd behaviour of its inhabitants.

Agulana, February 29th, 3 P.M... That day, a concert took place at the Opera, broadcasted on radio and speakers set up in the streets. The entire population was captivated. So they didn't notice when strange incidents started to happen... (kg)

Alephah proposes a vision of the other world and responds intuitively and descriptively to the eternal question: what happens when we die?, what journey do we take? As if a film crew had traveled there, to the last lands.

Alephah proposes a vision of the other world and responds intuitively and descriptively to the eternal question: what happens when we die?, what journey do we take? As if a film crew had traveled there, to the last lands.

What happens when two editors work in neighboring offices and their films get mixed up? Who will have the right to the "last cut"?.

What happens when two editors work in neighboring offices and their films get mixed up? Who will have the right to the "last cut"?.

A bird watches, astonished and perplexed, the intimate lovemaking of a human couple "consummating" their marriage.

The story of the bet of Leland Stanford , baron of the rail, on the gallop of the horse. He uses the photographer Eadweard Muybridge , who is developing a system to analyze the movement.