Yuriko Hamada

Narumi, a man out for revenge with the powers he received and a bit of help from the one who saved his life, he creates the persona of Skull Soldier and attempts to discover who really killed his sister.

A young woman takes up her new job as the servant of a noblewoman and soon discovers that underneath her facade of luxury lies great unhappiness.

University students Sudo and Mori make money by picking up rich girls in dance clubs and conning them into giving them cash. Mori is the brains of the operation, and Sudo is the suave dancer who picks up the girls. Sudo becomes gradually involved with three different girls and is drawn into the gangster milieu, which he seems unable to resist even though he is responsible for his mother, grandmother, and sister Masako. In this world of bad boys and girls, Masako is the pillar of strength and moral virtue who finally enables Mori to straighten out.

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

Mataemon Araki, a renowned swordsman, helps a young man find vengeance.

After discovering a slaughtered corpse, the investigating team of the Tokyo Metropolitan Police Department began canvassing the area around the crime scene. As a result, they found a wallet with bloodstains that seemed to belong to the victim, a woman's wallet that did not fit the field, earrings, and other valuable materials, which led them on a foot search. The woman's purse had been picked up by a male prostitute on the subway, and from the prostitute's testimony, they were able to identify the pickpocket's face, but the next day, the man was found dead in a road accident, apparently murdered.

No synopsis available yet.

Director Hiroshi Inagaki's early version of the life and death of famed swordsman Sasaki Kojiro. Otani Tomoemon gives a brilliant performance as Sasaki Kojiro, who rises from humble beginnings to national fame, and a young Toshiro Mifune appears as the legendary master swordsman Miyamoto Musashi for the first time and essentially sets the standard for future portrayals.This masterpiece is based on the original story as written by noted author Murakami Genzo and is far superior to any other versions. Following Kojiro from his earliest days through his fateful meeting with Musashi, this movie is filled with exciting and dramatic moments culminating in the best version of the final duel ever seen on film.

Shunsuke Washimi, a member of the karate club, misunderstands the affections of Chiyo, a lodging house girl who is in love with him and in the midst of a confusion challenges Yamauchi Tatsuhiko to a fight, forgetting the true core of martial arts, that should only be used as a selfdefense.

Period film about a feudal era judge living in Edo

Hachigoro, a carpenter living in the Rakugo Tenement, is an honest and skilled craftsman, but he loves sake more than his three daily meals, and had even been barred from entering the Akasaiya shop where he worked. However, thanks to the intervention of the landlord he was fortunately allowed back in, and Oka, the landlord’s maid who had long harbored feelings for Hachigoro, sent him a celebratory kimono as a gift.

Living in a house that has lost its man to the war a year earlier are the widow and her child. Four of the dead man's friends gather to have an anniversary wake. Some time following the ceremony one of the attendees marries the widow. Soon another friend of the deceased and his family also make the house their home when they move to town. Everyone's life is changed quite a bit. When the newer husband sustains an injury to his leg and loses his job it leads to the wife having to work. By the time the fifth anniversary of the friend's death occurs and another reunion is held another friend is in love with the former widow.

No synopsis available yet.

Shiro Yabe, a young gangster who boarded the second class on the Tokaido Line after finishing a dangerous smuggling transaction in Kobe, is next to a beautiful woman with a sad face.

Kanae, who broke up with her husband and moved to her uncle's house, met two men when her father, a university professor, collapsed. Michihara, a wealthy man and Miyashita, a youth scholar. Kanae is attracted to Miyashita, but ...

Two youths – the serious son of a Buddhist abbot and his rakish pal – quarrel over a restaurant keeper's daughter. When one of the youths dies, the other boy and the girl find they cannot forget him.

No synopsis available yet.

Urban love comedy in which Koji Tsuruta, who works for the Tokyo Metropolitan Government's Parks and Greenery Department, plays love shepherd to a number of women, including his true love, Inako Arima.

In pre-war Shanghai, a man falls in love with a mysterious woman, but she eventually disappears. Back in Japan, he is obsessed by her memory and tries to recreate the world he knew then.

1951 Japanese movie

No synopsis available yet.

No synopsis available yet.

Soemon, the master of Gidayū-style madcap performances, has gathered the entire tenement block again tonight and is tormenting everyone with his terrible Gidayū singing.

No synopsis available yet.

1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.

No synopsis available yet.

Based on the story of Shimizu no Jirocho.

No synopsis available yet.

Yasube Nakayama left the clan and lives in Edo. One day, Yasubei visits his uncle Rokuroemon Kanno to borrow money from a moneylender in the amount of 13 ryo in order to save Oteru, the daughter of a merchant. However, the next day, Rokuroemon was killed in a fight by the Murakami brothers. Yasubei rushed to the scene, took revenge and became the husband of Miya, the daughter of Horibe Yahei.

Fifth film in the Boy Detectives Club series.

Sixth film in the Boy Detectives Club series.

Sanada Bunkichi, an alcoholic musician who had lost all motivation to live, was a man who seemed to be supported by the kind consideration of his disciple Shimaki Tetsuo. One day, the two of them joined five others who were going to the cabaret Kurofune in Shimoda and went on a journey together, where they discovered a pretty young woman named Keiko, called Lilu. When the group returned to Tokyo, Keiko, who wanted to be a singer, followed them and asked them to accompany her to Tokyo. Keiko settled on the second floor of Tetsuo's aunt's tobacco shop in Tokyo, but Sanada went on a journey as a musician with the female swordsman Oe Midori's troupe to take care of Keiko's immediate living expenses. During his absence, Keiko was able to make her debut as a radio singer thanks to the kindness of Tetsuo's friend. Hearing Keiko's voice coming from the radio, Sanada rejected Midori's advances and returned to Tokyo.

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.

It was the first time in six years that I was able to step on the land of my homeland, the land of my nostalgia. It was Tokyo that had turned to burnt earth. A Tokyo with no one to rely on.

With his simple appearance, eyes shining with love and a sense of justice, and voice burning with youthful passion, the eleven students felt unexpectedly in each other's hearts that "this teacher will surely be our confidant," and looked at each other and nodded their heads. This was the beginning of their collective affection for the new Ms. Shiono. The school for girls is a sacred place where the hearts of hundreds of innocent girls should ferment beautifully and freely for the day when they will become wives and mothers to come. How can we abandon them in such a state? Even after the nightmarish war was over, the nightmare remained at Shuei Girls' School.

In a village subsisting on it herring fishery, a one-eyed criminal named Jakoman terrorizes the inhabitants. One of them, the son of the head of one of the fish companies by the name of Tetsu, decides to overthrow Jakoman and his cohorts.

Deep down, a dark shadow always lingered in the heart of Ushio, a young prosecutor who had made a name for himself by cracking down on organized crime. In the bribery case involving his old college friend Ayao, he had sought a two-year prison sentence in accordance with the law. Ayao took his own life, and his family was torn apart by the world’s persecution.

1947 Toho film directed by Tadashi Imai

Tadashi Imai 1946 movie

During his summer holiday, Kawasaki Ryuichi (Ryuzaki Ichiro), a handsome engineer in his late twenties, visits his teacher and mentor, Professor Inagaki (Sugai Ichiro), at his seaside home. There he meets the professor's lovely young wife, Sachiko (Hamada Yuriko), and is unsettled by the striking resemblance she bears to his wife, who died three years earlier. Attracted to Sachiko, he does his best to hide his feelings. The couple, however, senses a deep-seated melancholy in him. Attributing it to the loss of his wife, they urge him to marry their niece, Kaoru, but he is not interested. Shortly after, Fumiko , Sachiko's older sister, realizes that Sachiko and Kawasaki have feelings for each other, but she keeps her counsel. One day Kawasaki, Sachiko, and Kaoru go boating when a storm forces them to stay overnight at a hotel. Unable to sleep, Kawasaki takes a walk along the beach where he finds Sachiko, also unable to sleep. He declares his love for her.

Keiko, Kirie, and Toshi, a trio of close friends, go their separate ways after graduation, vowing to hold a “New Wives’ Meeting” once they are all married.