Pierre-Yves Bernard

In 2039, the Romano-Fafard spaceship crew, led by Captain Patenaude, are still looking for a viable planet to resume mankind and accommodate Earth's six billion idiots. They may have finally found one but it won't be trouble free.

No synopsis available yet.

Third instalment of the popular franchise set in 2051. Plot TBA.

No synopsis available yet.

Matthieu Pepper, a fan of DANS UNE GALAXIE PRÈS DE CHEZ VOUS, sets himself the task of understanding what made the series such a success. Why are we still talking about it 25 years later? How did DANS UNE GALAXIE PRÈS DE CHEZ VOUS become a cult show? Through a series of encounters, Matthieu sheds light on this television phenomenon.

After their probe crashes on a newly discovered planet, the crew of the Romano Fafard are introduced to an alien race who informs them that they might know where to find the perfect planet to move the dying human race to.

No synopsis available yet.

No synopsis available yet.

Matthieu Pepper, a fan of DANS UNE GALAXIE PRÈS DE CHEZ VOUS, sets himself the task of understanding what made the series such a success. Why are we still talking about it 25 years later? How did DANS UNE GALAXIE PRÈS DE CHEZ VOUS become a cult show? Through a series of encounters, Matthieu sheds light on this television phenomenon.

In 2039, the Romano-Fafard spaceship crew, led by Captain Patenaude, are still looking for a viable planet to resume mankind and accommodate Earth's six billion idiots. They may have finally found one but it won't be trouble free.

Third instalment of the popular franchise set in 2051. Plot TBA.

After their probe crashes on a newly discovered planet, the crew of the Romano Fafard are introduced to an alien race who informs them that they might know where to find the perfect planet to move the dying human race to.

War, emergency, pandemics and hunger. Humanitarian workers are used to working in the most varied and extreme missions and contexts across the planet. However, few of them venture openly into the world of personal feelings. For this film, forty humanitarian workers and their loved ones did just that, speaking without reserve about the risk, the commitment, the first mission, the sense of powerlessness, the encounters, the passion, the return home and the unspeakable things they’ve witnessed. This film explores the question of their selfishness in choosing to do this kind of work. Each person, in their own words, tells us about their feelings and experiences. Openly and straightforwardly, they tell us who they are and speak of their commitment to others, their doubts, their weaknesses and the images that haunt them.