Carlinhos de Jesus

Nena, a journalist and former student of the Two Hearts dance academy, tries to stop the school from being sold to a group of drug dealers. She trains a group to win the Requebra dance contest that would give them the necessary money to carry their plans.

Samba on Your Feet explores the shared roots of Carnival and Samba in Brazil and how they’ve come together to form a unique and vibrant culture. The journey begins behind the scenes of Rio de Janeiro’s Samba schools. Here, we witness the hard work and dedication of choreographers, dancers, musicians, and costume makers coming together in the spirit of teamwork and collaboration to create a spectacle that celebrates the infectious rhythms of Samba. The camera of Montes-Bradley also explores nearby favelas, where the audience discovers more links between Carnival and Samba and learns about the cultural history linking both to common African traditions. Cultural historian Haroldo Costa is our host on this pilgrimage to the roots, illuminating the importance of Samba in Brazilian culture and explaining its influences on Carnival.

An American director travels to Brazil and falls for a local girl.

Directed by Maurício Sherman, the actress Marília Pêra sings hits by Carmen Miranda with 43 songs from the repertoire of The Brazilian Bombshell in 24 numbers, among them: “Na Batucada da Vida”, “As Cinco Estações do Ano”, “Uva de Caminhão” and “Me Respeite, Ouviu?”.

The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.

No synopsis available yet.

In Rio de Janeiro's bohemian district called Lapa, during the '40s, a stylish and popular scoundrel exploits a cabaret singer, and earns his living by means of petty swindles. But then he meets Ludmila, the cabaret owner's daughter, who wants to get rich smuggling goods in times of war.

A documentary on the career of Beth Carvalho, the Brazilian singer who became a well known samba legend from the 1970s onwards, edited together from hundreds of hours of footage and audio files kept (and partially recorded) by Carvalho herself during her lifetime.