Hans Borgelt

"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

The young Chinese heir to millions in the USA is suddenly destitute. He takes out a life insurace policy on himself and assigns his former teacher to kill him.

Against the backdrop of late 19th-century Berlin, Toyotaro Ota, a young Japanese uni student studying in Germany, meets and falls in love with 16-year-old local dancer Elise. Their unconventional affair and subsequent cohabitation stir up a massive scandal that threatens his reputation, eventually reaching the ears of officials in Japan.

The story of Jacob Fabian, a somewhat liberal Berlin advertising copywriter who witnesses the collapse of the prewar German society during the 1930s.