Marco Cherqui

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

An executive and a dowdy working-class woman, both unemployed, married and parents meet at a supermarket. They become friends but find it hard to accept that they may be in love with each other.

Sentenced to six years in prison, Malik El Djebena is alone in the world and can neither read nor write. On his arrival at the prison, he seems younger and more brittle than the others detained there. At once he falls under the sway of a group of Corsicans who enforce their rule in the prison. As the 'missions' go by, he toughens himself and wins the confidence of the Corsican group.

Vincent, a police officer, and his partner Manuel steal a large amount of cocaine from José Marciano, a ruthless crime lord who is quick to seek revenge, endangering Vincent's life, career and family.

Paul Tanner has just inherited a mansion on a vast property. Going there, he noticed that the building was in poor condition and that work had already started. He decides to continue the renovation and brings in several contractors who give him quotes for amounts that exceed his financial capabilities.

Three disparate people meet in a bizarre skiing accident: an alcoholic doctor who has just been left by his wife, a beautiful but directionless woman, and the bumbling Algerian man who caused the accident. They become fond of each other, and of liquor.

The history of trance music between Goa and Tel Aviv. During their annual leave, young active duty Israeli soldiers discover the path to a new techno music genre: Goa trance is born.

Vincent Verner is a former cop who was fired from the police force for refusing to turn a blind eye to an investigation involving a powerful man. A young prosecutor comes to get him to join a new group in charge of investigating "delicate" cases, those that no one dares to summon: men and women of power, politics, finance, the media, the star system, lobbies, consortiums, and the bosses of large companies. Verner, a maverick with an aversion to lying, will apply his own methods.

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No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Rap ? Violent words, a social chronicle without complacency at a time of the politically correct and a wishywashy consensus. Twenty years after its first babblings in the popular quarters of New York, rap has imposed its presence beyond the borders. Je rap donc je suis (I Rap Therefore I Am) goes around five different towns where it meets rappers driven by the same motivation. In Paris and its suburbs, Marseille and its districts, Algiers, London or Berlin, rappers move, play, record, teach... And above all, they talk. Outside of any promotional context, the present-day heralds of French hip-hop, from La Rumeur to IAM, speak about the role of rap, the environment in which it was born, boredom, the feeling of belonging to a sacrificed generation, drugs in districts of towns, immigration, parents, political and social actors, the police, school, writing, money, the parallel economy, violence...