Ebrahim Golestan

Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude.

This documentary that its filming has taken 10 years long, has shows a new picture of Ebrahim Golestan, Iranian filmmaker and literary figure of the 20th century.

Ebrahim Golestan's contribution to an anthology film about the rites of betrothal in four separate countries.

Hashem is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji, try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.

Documentary showing behind-the-scenes footage of the film 'Nader and Simin, A Separation'. Director Asghar Farhadi himself talks about his film and how the idea for it came about.

A poor rural farmer unearths an ancient burial chamber loaded with gold artifacts on his arid land, which plunges him into a deep descent of greed and madness. As his growing obsession consumes him, the overwhelming chaos impacts everyone around him.

Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude.

Ebrahim Golestan's contribution to an anthology film about the rites of betrothal in four separate countries.

Hashem is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji, try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.

Hashem is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji, try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.

Hashem is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji, try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.

A poor rural farmer unearths an ancient burial chamber loaded with gold artifacts on his arid land, which plunges him into a deep descent of greed and madness. As his growing obsession consumes him, the overwhelming chaos impacts everyone around him.

A poor rural farmer unearths an ancient burial chamber loaded with gold artifacts on his arid land, which plunges him into a deep descent of greed and madness. As his growing obsession consumes him, the overwhelming chaos impacts everyone around him.

A poor rural farmer unearths an ancient burial chamber loaded with gold artifacts on his arid land, which plunges him into a deep descent of greed and madness. As his growing obsession consumes him, the overwhelming chaos impacts everyone around him.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

The Crown Jewels of Iran is a 1965 film commissioned and then banned by the Shah’s cultural ministry, featuring dazzling edits and camera movements and a charged narration assaulting economic disparities.

The Crown Jewels of Iran is a 1965 film commissioned and then banned by the Shah’s cultural ministry, featuring dazzling edits and camera movements and a charged narration assaulting economic disparities.

Abadan, in the vastness of the oil areas of southern Iran...

A documentary on Hajj pilgrimage.

The banned and unseen Harvest and Seed is a sardonic look at the conditions of a poverty-stricken Iranian village after the so-called agrarian reforms of the early 1960s, which amounted to a corrupt land grab rather than an equitable redistribution of wealth. This film recorded in village in south of fars, Shiraz, Esmaeel abad

The banned and unseen Harvest and Seed is a sardonic look at the conditions of a poverty-stricken Iranian village after the so-called agrarian reforms of the early 1960s, which amounted to a corrupt land grab rather than an equitable redistribution of wealth. This film recorded in village in south of fars, Shiraz, Esmaeel abad

A documentary about the oil pipe installation in Khark, Iran in 1962.

A documentary about the oil pipe installation in Khark, Iran in 1962.

This is a short documentary about Marlik hills and the archaeology's explorations there. But also it is about life, art, and the hope for a better tomorrow.

This is a short documentary about Marlik hills and the archaeology's explorations there. But also it is about life, art, and the hope for a better tomorrow.

Short documentary by Ebrahim Golestan