Jesper Kurlandsky

Kuwait’s constitution says that every person has the right to a job, so in some places 20 people are employed for one person’s job. In South Korea, they work so much that a policy has been introduced to turn off computers at the end of the day so that employees can’t work any more. In the US, they give up over 500 million holiday hours each year, while Amazon’s drivers are trying to form a union. Meanwhile, robots are poised to take over most jobs and put the rest of us out of work. Work is so crucial to our identity and what we spend our waking hours on that it is barely noticed anymore. A lot has happened since a group of Puritan priests invented the concept of work ethic in the 1600s, and in the 21st century the very concept of work is in many ways disintegrating. A perfect situation for a filmmaker like Swedish mastermind Erik Gandini, who travels the world to explore what the concept of work means today – if it means anything at all.

Janne, a 60 year old party promoter is arranging a nightclub at the annual tennis week in the small coastal town of Båstad, where he also teams up with his older sister Jackie. But an accident turns his life upside down and forced by the people around him, he desperately seeks a way out.

Life in hypermodernity seen from the cosmic perspective in a visionary masterpiece, where time and space transcend the human scale.

A descent into hell, Jesper Ganslandt's disturbing and suspenseful second feature begins with a man waking up in unfamiliar surroundings, only to find the life he knew the day before is gone.

“Jimmie” is told through the eyes of a 4-year old boy who has to go on a journey with his father to a safer land, leaving his mother at home in Sweden.

A priest, a psychoanalyst, and a psychic examine the themes around Lukas Moodysson's 'Container'.

Kuwait’s constitution says that every person has the right to a job, so in some places 20 people are employed for one person’s job. In South Korea, they work so much that a policy has been introduced to turn off computers at the end of the day so that employees can’t work any more. In the US, they give up over 500 million holiday hours each year, while Amazon’s drivers are trying to form a union. Meanwhile, robots are poised to take over most jobs and put the rest of us out of work. Work is so crucial to our identity and what we spend our waking hours on that it is barely noticed anymore. A lot has happened since a group of Puritan priests invented the concept of work ethic in the 1600s, and in the 21st century the very concept of work is in many ways disintegrating. A perfect situation for a filmmaker like Swedish mastermind Erik Gandini, who travels the world to explore what the concept of work means today – if it means anything at all.

Janne, a 60 year old party promoter is arranging a nightclub at the annual tennis week in the small coastal town of Båstad, where he also teams up with his older sister Jackie. But an accident turns his life upside down and forced by the people around him, he desperately seeks a way out.

Life in hypermodernity seen from the cosmic perspective in a visionary masterpiece, where time and space transcend the human scale.

A descent into hell, Jesper Ganslandt's disturbing and suspenseful second feature begins with a man waking up in unfamiliar surroundings, only to find the life he knew the day before is gone.

“Jimmie” is told through the eyes of a 4-year old boy who has to go on a journey with his father to a safer land, leaving his mother at home in Sweden.

A priest, a psychoanalyst, and a psychic examine the themes around Lukas Moodysson's 'Container'.

A priest, a psychoanalyst, and a psychic examine the themes around Lukas Moodysson's 'Container'.

A mood-based, audio-visual film, inspired by and with Virpi Pahkin's dance.