Walderez de Barros

Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

No synopsis available yet.

Five stories by Brazilian writer Guimarães Rosa: in the hinterland of the State of Minas Gerais, Brazil, a man fears for his life after having killed one of the dire Brothers Dagobé, outlaws who have great influence over the region; a hitman asks a doctor what's the meaning of a name he has heard; in a farm, the landowner decides to share the use and property of the estate among his employees; a man falls in love with a girl, but she's said to have a dreadful disease; and the local butcher spends half of his time running after his mother and daughter, both utterly mad.

No synopsis available yet.

"Pureza" tells a story of a mother, Pureza, who goes in search of her son, Abel, disappeared after leaving for the mining in the Amazon.

The beautiful Flor marries Vadinho -- and soon finds out he's spending all their money on gambles and has mistresses all over the city. Vadinho suddenly dies while partying during Carnival, and Flor, left helpless and full of debts, ends up marrying Teodoro, who's the exact opposite of her late husband.

Friends of the recently deceased Quincas take their pal's body on one last tour of his favorite spots in Brazil's Bahia.

A couple face problems because he can no longer have sex with her. Always charged due to the lack of lust, he feels increasingly diminished in the relationship. That's when she presents a bold proposal: that they switch roles in sex, as a way of proving their commitment to the relationship.

No synopsis available yet.

Two years after her arrival in São Paulo, Alice continues her relationship with Nicholas and has begun to look for a place where they can live together. She has also launched a business that produces children's shows, and a stable life seems to be taking shape. But as she goes about the apartment search and shares in the loves and uncertainties of old and new friends, what she observes leaves her far less certain of her decisions and her future.

Three days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is rehearsing for a concert. These three days correspond to a three movement sonata - the director (Lina Chamie) is a musician, so she imprinted a musical structure to her movie, with few dialogs and poetic images. It's a movie for music lovers. Written by CeciliaWolf

All the lives of Cora Coralina in a poetic narrative in the voices, feelings and interpretations of six generations of great Brazilian actresses. A polyphony of the voices that inhabited Cora, revealed in prose, verse and images with its immense literary talent and human content. The film reveals the trajectory of Cora Coralina, from her childhood years to getting married and leaving Goiás, from the long period of 45 years lived in different cities in the state of São Paulo and her return to the City of Goiás, when she revealed herself to Brazil with the strength of his poetry.

The theatrologist, actor, director and overall polemist Plínio Marcos gets his life traced through images of the many spectacles he has put on interviews from various moments in his life, from the most rebellious and marginal, when he lacked resources for his art, to when he was invited to go to Paris and talk about his work