Zirek

A small village on the Syrian-Turkish border in the early 1980s: The six-year-old Kurdish boy Sero experiences his first school year in an Arab school and has to watch his small world being radically changed in the course of an absurd nationalism.

In a dull, desolate town, Joy is an orphan who lives her faith with intensity and almost never leaves her church. Until the day she meets Andriy, a young man who gets beaten up in front of her. Soon, she becomes convinced their paths were meant to cross.

Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache.

Kenza and Yaël are two young French women who go to Syria to fight alongside the Kurdish forces. There they meet Zara, a Yezidi survivor. Born in different cultures but deeply united, the women-fighters heal their past wounds and discover their present strength, especially the fear they inspire in their opponents. The three young women soon bound together and become true sisters-in-arms.

Three Turkish workers traverse Iraq in a jeep heading to an American military base construction only to find themselves confronting adolescent Iraqi soldiers in a checkpoint.

Bahar, the commanding officer of the Daughters of the Sun, a battalion made up entirely of Kurdish female soldiers, is on the cusp of liberating their town, which has been overrun by ISIS extremists.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Alan, Jan and Liya, born in Kurdistan, raised in Stuttgart, want to grant their deceased mother her final wish: to be buried beside her husband, who died in the war, in their home village in Kurdistan. The clan objects, but the three set out anyway. A risky journey to a homeland wracked by strife.

Having spent ten years of his life in prisons, Güney escaped from Isparta Semi-Open Prison in 1981 and went to Paris, where he would spend the last years of his life. The recognition Güney received as a filmmaker in France brought him the Palme D'or at the 1982 Cannes Film Festival for his film "The Road." The documentary builds a bridge between France and Turkey through Yılmaz Güney, tracing his footsteps in Paris, the filming process of "The Wall," the lives he influenced through his political struggle and cinema, and the stories of those who were forced to leave their country after September 12th, who came to France as immigrants, his friends and colleagues, and the life stories of exiled people whose paths somehow intersected with his during this journey.

In the vibrant African neighborhood of Château d'Eau in Paris, Charles is the smoothest of all the hustlers. His job: to fill the districts numerous hair salons with customers. But when the competition is tough and everybody’s trying hard to be number one, dirty tricks are just around the corner.

Before Snowfall starts with a dramatic escape: Eighteen year-old Nermin runs away from her wedding in a village in Iraqi Kurdistan. Being the elder of the family, her younger brother Siyar becomes responsible for finding her and restoring the family reputation. The mission proves a dangerous one for the inexperienced Siyar. First stop is Istanbul, where he meets Elvin, a young girl who becomes his travel companion. On the way from east to west, through Europe and all the way to Norway, Siyar comes to realize his own need for respect, and for love.

At the haven for the abandoned, a 50-year-old part-time dad at the end of the line meets a 35-year-old woman who returns after 15 years with a secret.

Zîrek is a Kurd from Turkey. Stateless in Paris for more than a quarter of a century, he promised his father that he would send his grandson to his homeland, where he himself can no longer go. This journey will plunge him back into his past, starting at the airport where he himself arrived in France twenty-five years earlier. He will retrace his life's journey from his first steps as a refugee, filled with the certainty of a imminent return, to his situation as an exile. The distance from his loved ones, the loss of illusions and all hope. As he travels towards his hometown of Hakkâri, the son gradually rediscovers his father from afar. Their initially difficult relationship will evolve over the course of telephone calls into a certain complicity.

A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.

A teacher, driven to exasperation from insults and insubordination, takes her class hostage.

Desperate to break free from the poverty of his homeland, Elias boards a ramshackle people-smuggling trawler to France. But when the boat is raided by police, Elias leaps into the ocean, eventually finding himself washed up on a Mediterranean beach resort called Eden. So begins Elias odyssesy across Western Europe to Paris, where wondrous promise, helpful new friends and perilous dangers await him every step of the way.

Aram, an ex-soldier from the Armenian cause, has come to France to close an arms deal under secret service surveillance. Held responsible and banished by his faher for his brother's injuries in a terrorist ttack, he's also come to seek revenge for the drama that has marked his family and his life.

A seductive femme fatale (Monica Bellucci) and two con men -- one cool as ice, and one who just likes to "ice" his victims -- enlist a mild-mannered, unsuspecting man in their mission to steal a rare and valuable fish. They plan to sell it back to its grieving owner at an enormous profit (talk about "sleeping with the fishes!"). Tcheky Karyo, Michel Muller and Dominique Pinon co-star.

Kurdish expert Hiner Saleem (Shero) wrote and directed this French comedy-drama, set inside the 100,000-population Kurdish community in Paris. The original French title translates as "Long Live the Bride...and the Liberation of Kurdistan." Cheto (Georges Corraface) seeks a wife via videotapes while still seeing his French girlfriend, immigration office worker Christine (Stephanie Lagarde). Cheto places an order for a beautiful girl, but he's disappointed when her sister, country girl Mina (Marina Kobakhidze), arrives at the airport as a substitute. Family pressure forces him to marry her. Unhappy with the way she's treated by Cheto, Mina acquires some progressive notions from Leila (Schahla Aalam) and other local feminists, leading to confrontations with Cheto.

Produced, written and directed by Yılmaz Güney within his own personal experiences of capital offense, he dedicates Duvar to male teenagers aged 13 to 19 living behind the bars under diabolical treatments. These teenagers get barbaric corporal punishments, injurious harrows, tortures and sexual abuses just for taking the responsibility of their destiny on a wrong turn.

Hakan is a young Turkish house painter who works in France with his father Mustafa. The revelations that will be made to him over a cup of coffee grounds are going to push him to make major decisions in his life. For the first time, Mustafa will have to face his son’s choices.