Michael Elliott

Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.

Madame Ranevsky and her daughter Anya return home from Paris to find that their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a wealthy landowner, proposes razing the home and cherry orchard and dividing the estate into plots that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.

The inside story of the often lethal impact of Europe on postwar British politics, told by both conspirators and victims.

One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.

No synopsis available yet.

Brand's a bleak and desolate play that challenges the notion of a stern and stoic faith in the will of God. The title character is a pastor who returns to his ancestral home to find the villagers on the verge of starvation. He believes ministering to these poor people to be his calling. Over the course of the play, however, he faces many difficult choices. The decisions he makes, based on his stark and idealistic view of morality, have dire consequences for all the people he touches and, ultimately, for his own embattled soul.

The inside story of the often lethal impact of Europe on postwar British politics, told by both conspirators and victims.

Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.

Madame Ranevsky and her daughter Anya return home from Paris to find that their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a wealthy landowner, proposes razing the home and cherry orchard and dividing the estate into plots that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.

One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.

No synopsis available yet.

No synopsis available yet.

Brand's a bleak and desolate play that challenges the notion of a stern and stoic faith in the will of God. The title character is a pastor who returns to his ancestral home to find the villagers on the verge of starvation. He believes ministering to these poor people to be his calling. Over the course of the play, however, he faces many difficult choices. The decisions he makes, based on his stark and idealistic view of morality, have dire consequences for all the people he touches and, ultimately, for his own embattled soul.

Brand's a bleak and desolate play that challenges the notion of a stern and stoic faith in the will of God. The title character is a pastor who returns to his ancestral home to find the villagers on the verge of starvation. He believes ministering to these poor people to be his calling. Over the course of the play, however, he faces many difficult choices. The decisions he makes, based on his stark and idealistic view of morality, have dire consequences for all the people he touches and, ultimately, for his own embattled soul.

An aging King invites disaster when he abdicates to his corrupt, toadying daughters and rejects his one loving, but honest one.

A megalomaniac dictator, in charge of a former colony, installs a nuclear bomb in its London Embassy. He threatens to set it off, unless a huge ransom is paid. The question for the government is whether he will set it off anyway?

An aging Southern Belle complicates life for her ambitious son and crippled daughter because of her own warped views of what life should be.

Lavinia has left her husband before a cocktail party. They have both had relationships. A foreign guest, Sir Henry, analyzes their marriage and relationship. Will they find their way back to each other again?