Peter Weiss

Acting

Peter Weiss

Born 1916-11-08 · Nowawes, Berlin, Germany

Peter Ulrich Weiss was a German writer, painter, graphic artist, and experimental filmmaker of adopted Swedish nationality. He is particularly known for his plays Marat/Sade and The Investigation and his novel "The Aesthetics of Resistance".

Acting credits

Study III poster
8.0

In this preliminary study for Study IV “Liberation” a man hauls his alter ego through various spaces. The scene is reminiscent of Luis Buñuel’s “An Andalusian Dog”, where the man drags along a piano, two priests, and two dead donkeys. Weiss was not happy with this first, more personal version. He gave up the attempt to re-edit it.

Study III

1953

No artwork available
7.0

24 hours in the life of three Swedish girls in Paris. Seduced by the excitement but short of money they earn a few francs as nude models in an art school.

The Flamboyant Sex

1961

Memorandum poster
7.3

A Jewish Holocaust survivor travels through Germany recalling scenes from his memory. This documentary follows a Holocaust survivor in 1965 on an emotional pilgrimage to Bergen Belsen, the last of 11 concentration camps where he was held by the Nazis. He and 30 other former Jewish inmates travel through the new Germany. Scenes still vivid in his mind are recalled in flashback. The memorandum of the title refers to Hitler's memo offering a "final solution" to the "Jewish problem."

Memorandum

1967

No artwork available
4.9

Twelve staged scenes that were modelled after a set of drawings. Accompanied by metallic sounds, various body parts, limbs and objects form surrealistic collages against the background of a black space. Peter Weiss intended to create associative images that can not be deciphered completely. Beyond any logical interpretation, he wanted to show pure inner feelings.

Study II: Hallucinations

1952

Study I Awakening poster
7.5

The day begins for an avant-garde artist. We see him waking up amid empty bottles, easels, and silk stockings.

Study I Awakening

1952

No artwork available
NR

A personal portrayal of Peter Weiss’ period as a painter and filmmaker in Sweden before his rise to fame.

Strange Walks In and Through and Out

1987

Behind the camera

Mirage poster
8.0

A young man comes to Stockholm, Sweden and experiences several bizarre and surrealistic situations.

Mirage

1959

Sightseeing poster
NR

A short pamphlet based on a text by Peter Weiss and on the contrapuntal use of the relation between image and sound. The commercial activities and fantasies linked to tourism in Sweden are contradicted by the geopolitics of capitalist imperialism, in particular with the war in Vietnam.

Sightseeing

1968

No artwork available
5.0

A film about the youth prison in Uppsala, which focuses on one intern's alienation and anxiety.

According to Law

1958

No artwork available
5.0

A film about the youth prison in Uppsala, which focuses on one intern's alienation and anxiety.

According to Law

1958

Anna Casparsson poster
NR

A documentary film about the 99 year old artist Anna Casparsson. She is interviewed by Peter Weiss in her home in Saltsjöbaden. “I shot 'Anna Casparsson' together with Staffan Lamm. I had wanted to complete the film, but somehow I did not get around to it and then she died shortly afterwards.” -Peter Weiss

Anna Casparsson

1960

Study III poster
8.0

In this preliminary study for Study IV “Liberation” a man hauls his alter ego through various spaces. The scene is reminiscent of Luis Buñuel’s “An Andalusian Dog”, where the man drags along a piano, two priests, and two dead donkeys. Weiss was not happy with this first, more personal version. He gave up the attempt to re-edit it.

Study III

1953

Study III poster
8.0

In this preliminary study for Study IV “Liberation” a man hauls his alter ego through various spaces. The scene is reminiscent of Luis Buñuel’s “An Andalusian Dog”, where the man drags along a piano, two priests, and two dead donkeys. Weiss was not happy with this first, more personal version. He gave up the attempt to re-edit it.

Study III

1953

Nothing Unusual poster
NR

About everyday life and the recurrent dangers in the big city.

Nothing Unusual

1957

Nothing Unusual poster
NR

About everyday life and the recurrent dangers in the big city.

Nothing Unusual

1957

The Studio of Dr. Faust poster
NR

Surrealistic images of Faust-Mephisto in his fantastic laboratory.

The Studio of Dr. Faust

1956

No artwork available
NR

In a single room, Peter Weiss has captured the environment of two drug addicts, without ever showing their faces in the film.

Tagning narkomaner

1960

Study IV: Liberation poster
8.3

A surrealistic and symbolic depiction of the liberation of the self in a series of associative scenes. The main character moves between different rooms, rooms of significance for him, dragging something that constantly changes form but eventually turns out to be himself. It is an old and consumed I that disappears from him.

Study IV: Liberation

1955

Study IV: Liberation poster
8.3

A surrealistic and symbolic depiction of the liberation of the self in a series of associative scenes. The main character moves between different rooms, rooms of significance for him, dragging something that constantly changes form but eventually turns out to be himself. It is an old and consumed I that disappears from him.

Study IV: Liberation

1955

No artwork available
4.9

Twelve staged scenes that were modelled after a set of drawings. Accompanied by metallic sounds, various body parts, limbs and objects form surrealistic collages against the background of a black space. Peter Weiss intended to create associative images that can not be deciphered completely. Beyond any logical interpretation, he wanted to show pure inner feelings.

Study II: Hallucinations

1952

No artwork available
4.9

Twelve staged scenes that were modelled after a set of drawings. Accompanied by metallic sounds, various body parts, limbs and objects form surrealistic collages against the background of a black space. Peter Weiss intended to create associative images that can not be deciphered completely. Beyond any logical interpretation, he wanted to show pure inner feelings.

Study II: Hallucinations

1952

Bag de ens facader poster
NR

The immense population increase in Copenhagen mid of the 20th century requested new living space further from the city centre. The old town quarters of the danish capital offered neither enough space nor did they provide a life close to nature which was required especially by families with many children. Based on the so called „finger plan” from 1947 Copenhagen was enlarged along five radial traffic axes. Using the example of the estates Carlsrø in Rodøvre and Milestedet in Brøndbyøster "Bag de ens facader" documents life in a modern suburb.

Bag de ens facader

1961

Bag de ens facader poster
NR

The immense population increase in Copenhagen mid of the 20th century requested new living space further from the city centre. The old town quarters of the danish capital offered neither enough space nor did they provide a life close to nature which was required especially by families with many children. Based on the so called „finger plan” from 1947 Copenhagen was enlarged along five radial traffic axes. Using the example of the estates Carlsrø in Rodøvre and Milestedet in Brøndbyøster "Bag de ens facader" documents life in a modern suburb.

Bag de ens facader

1961

No artwork available
10.0

The Investigation (1965) is TV version of a play by German playwright Peter Weiss that depicts the Frankfurt Auschwitz Trials of 1963–1965.

The Investigation

1966

Study I Awakening poster
7.5

The day begins for an avant-garde artist. We see him waking up amid empty bottles, easels, and silk stockings.

Study I Awakening

1952

Study I Awakening poster
7.5

The day begins for an avant-garde artist. We see him waking up amid empty bottles, easels, and silk stockings.

Study I Awakening

1952

No artwork available
8.0

A symbolic reconstruction of the Auschwitz process in Frankfurt in 1963-1965. Litigation against those responsible for the mass extermination in German prison camps during the Second World War.

Ransakningen

1967

No artwork available
NR

Uncompleted portrait of an artist. Fragmentary images from Öyvind Fahlström's studio, with paintings, collages and Fahlström's friendship gathered around a table.

Tagning Öyvind Fahlström

1961

What Shall We Do Now? poster
NR

Deals with young people dealing and using drugs of all kind.

What Shall We Do Now?

1958

What Shall We Do Now? poster
NR

Deals with young people dealing and using drugs of all kind.

What Shall We Do Now?

1958