Krzysztof Kieślowski

No synopsis available yet.

Documentary tracing the filmmaker’s work in Poland, from his days as a student through The Double Life of Véronique.

In Warsaw, Polish filmmaker Krzysztof Kieślowski returns to the editing room of the documentary film production company where he made his first films in the late 1960s.

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

Documentary featuring a candid interview with Kieślowski and rare behind-the-scenes footage from the set of The Double Life of Véronique

Portrait of an artist as a young manic. First, a montage of still photographs of an artist's face. Then motion. He stirs in sleep; he paints and expresses frustration. He looks for a light for his cigarette. He sketches, wads it up; makes tea; stares at his face in a mirror, then looks at canvas after canvas of self-portraits.

No synopsis available yet.

A documentary about the showing of Krzysztof Kieślowski's film RED at the 1994 Cannes Film Festival, including interviews with the director and the cast of the film.

Film director Krzysztof Kieślowski examines in detail one scene from each of the films in his Three Colors Trilogy.

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

The film reveals the mechanisms of the communist institution of censorship. Famous filmmakers - Kazimierz Kutz, Andrzej Wajda, Krzysztof Kieslowski, Filip Bajon and Marcel Lozinski - talk about their contacts and experiences with censors, how their films were censored, what parts were considered contrary to the ideology of the socialist state. These interferences were often of an absurd nature. At the same time, the filmmakers mention how much of the intended content they managed to smuggle out. The film is also an attempt to analyze and summarize the role of censorship in a totalitarian state and its impact on culture and art.

The first Polish film to discuss the failure of September 1939 Polish-German war, seen from the point of view of a university intellectual, fascinated by German culture, who decides to take active part in the conflict.

A bus crashes and its passengers find themeselves in the afterlife, which they find has the not only the same set of rules as Earth, but also the same bureaucratic chaos.

"Legenda" is a document about a famous polish writer Stefan Żeromski. It serves as an interview with people who knew the artist.

Director and writer Krzysztof Kieslowski shares his views on life, people, politics, and comments a little about some of his films in a very casual conversation.

After the war, the community of mountaineers is eager to start their own sawmill. When the communist authorities come to take over the sawmill, a rebellion starts.

In this meta-film, the film students of the Department of Film at the School of Arts, Design and Architecture in Helsinki collectively make fun of themselves, their film studies and the state of Finnish cinema. Legendary director Krzysztof Kieslowski makes a cameo appearance, shivering in the chilling winds of Katajanokka.

No synopsis available yet.

This interview, made in January 1995, is an attempt to examine the universal messages offered by 'Decalogue', as well as it's idiosyncrasies

Presents highlights of a workshop for young directors conducted by the Polish director Krzysztof Kieślowski (1941-1996) in Amsterdam during the summer of 1994, inclusive of interviews with Kieślowski himself. The theme of the workshop was the direction of actors. For a fortnight, various groups worked every day on a scene from Ingmar Bergman's film, 'Scenes from a Marriage.'

A group of middle-aged men takes a bus trip to the Black Sea, having to put up with the border guard, accommodation and their guide, a film school student.

Documentary on Krzysztof Kieslowski's Dekalog from the BBC Arena series.

A biographical story of Krzysztof Kieślowski. The production is composed of well-selected fragments of his documentaries and feature films. The aim of that is to create a universal human story: birth, education, maturation, love, work, illness, and death.

Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.

Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

The wife of a famous composer survives a car accident that kills her husband and daughter. Now alone, she shakes off her old identity and explores her newfound freedom but finds that she is unbreakably bound to other humans, including her husband’s mistress, whose existence she never suspected.

The wife of a famous composer survives a car accident that kills her husband and daughter. Now alone, she shakes off her old identity and explores her newfound freedom but finds that she is unbreakably bound to other humans, including her husband’s mistress, whose existence she never suspected.

Joseph Malesa is a former party activist, labor leader, and mason. The documentary describes his career and life through ups and downs.

Joseph Malesa is a former party activist, labor leader, and mason. The documentary describes his career and life through ups and downs.

A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.

19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover that they have a lot more in common than appeared at first sight...

19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover that they have a lot more in common than appeared at first sight...

Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.

Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.

Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.

Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.

1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

When the circus leaves town, Zygmunt and Marysia unwittingly adopt a camel into their home. The couple quickly forms a close bond with the nameless camel, but as the bond grows stronger, their neighbors slowly begin to ostracize them.