Davy Chou

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.

After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.

A young woman relaxes at a riverfront restaurant. She recounts stories of her past experiences, finding enchantment in the flows of the river and the trees on the mountains nearby.

Bora, an 18-year-old, leaves his village to work on the construction sites of Diamond Island, a project for an ultra-modern paradise for the rich and a symbol of tomorrow’s Cambodia. He befriends his fellow workers and finds his elder brother, the charismatic Solei, who went missing five years earlier. Solei introduces him into an exciting world, that of an urban and wealthy youth, its girls, nights and illusions.

Bora, an 18-year-old, leaves his village to work on the construction sites of Diamond Island, a project for an ultra-modern paradise for the rich and a symbol of tomorrow’s Cambodia. He befriends his fellow workers and finds his elder brother, the charismatic Solei, who went missing five years earlier. Solei introduces him into an exciting world, that of an urban and wealthy youth, its girls, nights and illusions.

Samnang, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.

Phnom Penh, Cambodia. On Diamond Island, the country's pinnacle of modernity, two friends tell each other about the dreams they had the night before.

Phnom Penh, Cambodia. On Diamond Island, the country's pinnacle of modernity, two friends tell each other about the dreams they had the night before.

Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

Kavich Neang documents the final days of the White Building in Phnom Penh, an architectural landmark he had lived in since birth.

A young woman working late at night at a beauty salon gives into her restrained interest in a young man who spends his evenings driving Phnom Penh's streets by motorbike as a delivery man.

Forty years after the fall of Phnom Penh, Cambodian artists inherit a pluralistic history whose groping threads they unravel. Sera Ing works on the sculpture which will become the first memorial of the genocide but the project encounters difficulties to exist. How do artists reappropriate history and culture from which they have been dispossessed?

Young people tell the strange story of a french family's holidays in Cambodia.

Young people tell the strange story of a french family's holidays in Cambodia.

Years ago, a helicopter crashed under mysterious circumstances high in the mountains. Climbing the slopes to investigate the accident, a journalist and a soldier encounter a shaman deep in the forest who tells them about ancient rain rituals.

On the Cambodian island of Koh Sdach, a local diver examines coral reefs and seahorse populations while exploring the environmental impacts of his village's commercial development and growing fishing industry.

A nurse helps Vicheka make sense of his dreams after he returns to a transformed Sihanoukville to memorialise his father in this restrained film about the human cost of Chinese investment in Cambodia.

On a lonely night, Tuk Tuk driver Nath meets a woman who reminds him of his past. Returning home, he confesses to his wife that he wants to move. This realization ultimately reveals the unspoken realities of their marriage dating from the Khmer Rouge period.

Five young brothers drive the streets of Phnom Penh each night in search of venues to perform their break-dancing routine to earn something to support their family.

Two women of different backgrounds encounter one another at an oceanfront resort. They then discover a hidden bond that allows them to escape from their realities.

Phnom Penh at night. Three young hip-hop dancers drive a single motorbike and stop on a muddy deserted road. Nick leaves the others to look for an iPhone he heard was lost in the area. Piseth and Thy discuss their hopes and doubts, and Piseth shows his best Michael Jackson moves. They meet Leakhena, a young female street vendor whose cart is full of colors.

Hidden in a hotel in the capital city of Phnom Penh, a young couple spends their final days together before one of them has to return home to her own country.

On a Cambodian fishing island, Mera is turning 18. She rejects a marriage arranged by her aunt and instead organizes a trip with her close friend Bopha to a remote rocky island to visit a soldier who she met online. Weeks later, Mera vanishes. Bopha’s search begins. As the weeks pass without resolution, Bopha starts to understand the inner secrets and hidden desires of her missing friend, and her own.

An old woman walks through Hemakcheat, a legendary theatre in 60's-70's Phnom Penh, which is now a gigantic squat where many families are living.