Mehmet Aktaş

A young Kurdish man is torn between his mother's nostalgic search of a song in her dreams and an uncertain future with his pregnant girlfriend.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Alan, Jan and Liya, born in Kurdistan, raised in Stuttgart, want to grant their deceased mother her final wish: to be buried beside her husband, who died in the war, in their home village in Kurdistan. The clan objects, but the three set out anyway. A risky journey to a homeland wracked by strife.

Rojin is a young Kurdish woman about to take the university entrance exam. Rojin's unhappily married older sister Shilan decides to help her pass at any cost, hoping to give her a more emancipated life. Thus, the sisters inevitably become entangled in a huge network of corruption that connects all parts of society.

They belong to the armed wing of the PKK, the Kurdistan Workers' Party, which is also an active guerrilla movement. The mission of these female fighters? Defend Kurdish territory in Iraq and Syria, and defeat ISIS (the armed militants of the so-called Islamic State group), all while embodying a revolutionary ideal advocating female empowerment. As filmmaker Zaynê Akyol follows their highly regimented lives, seasoned fighters like Rojen and Sozdar openly share with us their most intimate thoughts and dreams. Even as fighting against ISIS intensifies in the Middle East, these women bravely continue their battle against barbarism. Offering a window into this largely unknown world, Gulîstan, Land of Roses exposes the hidden face of this highly mediatized war: the female, feminist face of a revolutionary group united by a common vision of freedom.

A film crew from Germany, filming in a remote village in northeastern Turkey, interviews an elderly Kurdish woman. She performs an ancient ritual to keep alive the memory of the son she lost years ago. The young woman, who helps the German crew with the Kurdish translation, is also the caretaker of seven-year-old Melek. Melek's father is a member of a shadowy organization whose true purpose is unclear. The result of all these people coming together will be devastating.

A young Kurdish man is torn between his mother's nostalgic search of a song in her dreams and an uncertain future with his pregnant girlfriend.

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Alan, Jan and Liya, born in Kurdistan, raised in Stuttgart, want to grant their deceased mother her final wish: to be buried beside her husband, who died in the war, in their home village in Kurdistan. The clan objects, but the three set out anyway. A risky journey to a homeland wracked by strife.

Rojin is a young Kurdish woman about to take the university entrance exam. Rojin's unhappily married older sister Shilan decides to help her pass at any cost, hoping to give her a more emancipated life. Thus, the sisters inevitably become entangled in a huge network of corruption that connects all parts of society.

They belong to the armed wing of the PKK, the Kurdistan Workers' Party, which is also an active guerrilla movement. The mission of these female fighters? Defend Kurdish territory in Iraq and Syria, and defeat ISIS (the armed militants of the so-called Islamic State group), all while embodying a revolutionary ideal advocating female empowerment. As filmmaker Zaynê Akyol follows their highly regimented lives, seasoned fighters like Rojen and Sozdar openly share with us their most intimate thoughts and dreams. Even as fighting against ISIS intensifies in the Middle East, these women bravely continue their battle against barbarism. Offering a window into this largely unknown world, Gulîstan, Land of Roses exposes the hidden face of this highly mediatized war: the female, feminist face of a revolutionary group united by a common vision of freedom.

A film crew from Germany, filming in a remote village in northeastern Turkey, interviews an elderly Kurdish woman. She performs an ancient ritual to keep alive the memory of the son she lost years ago. The young woman, who helps the German crew with the Kurdish translation, is also the caretaker of seven-year-old Melek. Melek's father is a member of a shadowy organization whose true purpose is unclear. The result of all these people coming together will be devastating.

The EU has fallen apart, and in Germany, far-right populists are forming a new government. War is imminent. Jonas has deserted; he and his sister go into hiding at the home of their father, Stuber, whom Jonas has not seen since childhood. But there, the situation escalates. A catastrophe occurs even before the war has begun.

Young mother Lori must say goodbye to her husband, who decides to join the war against ISIS. She finds herself in a fight in midst her own society. Thus, Lori searches to express her feelings in dance.

Young mother Lori must say goodbye to her husband, who decides to join the war against ISIS. She finds herself in a fight in midst her own society. Thus, Lori searches to express her feelings in dance.

Kurdish childhood friends Hussein and Alan want to produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.

Kurdish childhood friends Hussein and Alan want to produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.

This documentary shows us how a Daf elaborated. It's about a family that all their children are blinded and they're running their family business. They're making Dafs which is an Iranian hand percussion musical instrument and nowadays it's mostly played in Kurdish folk songs.

No synopsis available yet.

In Letter to the King we meet a group of refugees, all with their own agendas, on an excursion to Oslo. A young man about to be deported visits his former employers to collect his off-the-books salary, a martial arts expert is looking for work, a young woman is haunted by the past and out for vengeance and an old man named Mirza is busy writing a letter to the king to get his final wish granted. An altogether urgent and nuanced portrait of a motley group of individuals, too often regarded as a homogeneous group.

Radical Islamist militants attack a village in Iraq where a young Yazidi love couple prepares for marriage. From that moment onwards their lives are turned into a nightmare.

Radical Islamist militants attack a village in Iraq where a young Yazidi love couple prepares for marriage. From that moment onwards their lives are turned into a nightmare.