Måns Månsson

Based on Kristian Lundberg's novel about Anders, who goes from acclaimed author to physical worker at the bottom of society. He can no longer support himself through his cultural work and is forced to start anew, as a worker in Malmö harbour, at a place called 'The Yard'.

Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...

Twenty-year-old director Måns Månsson finds another Stockholm in Brooklyn, New York, where he works and lives.

The film follows the performative duel, or fara fara (meaning face-to-face in Lingala) between two of the DRC’s biggest stars, Koffi Olomide and Werrason. Papa Wemba announces the face-off to an enormous gathering at two adjacent stages where the superstars and their entourages compete in an epic test of musical endurance and style to see who can win by playing the longest.

The Swedish artist Måns Månsson has placed a fictional character in a real environment to explore the fascinating new relationship that has arisen between Africa and China, where democracy is one commodity among many others. No dialogue was written in advance, and the minimal story about the worthless t-shirts is just a pretext to conduct a cinematic experiment set in the Chinese city, where tens of thousands of African migrants are in the process of establishing themselves and creating a new life, in a historical parallel to the exchange that has always taken place between East and West. But this time, the West is not invited to the party. However, the reference to the lost souls in the American photographer William Eggleston's film of the same name suggests a tragicomic and existential absurdity independent of time and place.

After a life of constant partying, Nojet inherits an apartment building from her recently deceased father. What she at first takes for a cash cow turns out to be a curse as she gets thrown into the murkiest corners of the Swedish housing market.

Based on Kristian Lundberg's novel about Anders, who goes from acclaimed author to physical worker at the bottom of society. He can no longer support himself through his cultural work and is forced to start anew, as a worker in Malmö harbour, at a place called 'The Yard'.

Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...

Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...

Twenty-year-old director Måns Månsson finds another Stockholm in Brooklyn, New York, where he works and lives.

Twenty-year-old director Måns Månsson finds another Stockholm in Brooklyn, New York, where he works and lives.

The film follows the performative duel, or fara fara (meaning face-to-face in Lingala) between two of the DRC’s biggest stars, Koffi Olomide and Werrason. Papa Wemba announces the face-off to an enormous gathering at two adjacent stages where the superstars and their entourages compete in an epic test of musical endurance and style to see who can win by playing the longest.

The Swedish artist Måns Månsson has placed a fictional character in a real environment to explore the fascinating new relationship that has arisen between Africa and China, where democracy is one commodity among many others. No dialogue was written in advance, and the minimal story about the worthless t-shirts is just a pretext to conduct a cinematic experiment set in the Chinese city, where tens of thousands of African migrants are in the process of establishing themselves and creating a new life, in a historical parallel to the exchange that has always taken place between East and West. But this time, the West is not invited to the party. However, the reference to the lost souls in the American photographer William Eggleston's film of the same name suggests a tragicomic and existential absurdity independent of time and place.

After a life of constant partying, Nojet inherits an apartment building from her recently deceased father. What she at first takes for a cash cow turns out to be a curse as she gets thrown into the murkiest corners of the Swedish housing market.

After a life of constant partying, Nojet inherits an apartment building from her recently deceased father. What she at first takes for a cash cow turns out to be a curse as she gets thrown into the murkiest corners of the Swedish housing market.

Over a year, we follow the former Swedish Minister of Defense, Anders Björck, in his work as governor of Uppsala County. The official position is almost 400 years old, and the job consists of sitting at a big desk, having lunch meetings with other governors, cutting ribbons at opening ceremonies, holding speeches and eating dinner with the King and Queen of Sweden. It is hard work, but someone has to do it. Björck gives the viewer full access, making this personal portrait both humorous and very, very serious.

No synopsis available yet.

94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?

94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?

94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?