Görkem Yeltan

Kara Melek is a TV series that was broadcast on Star TV and ran from 1996 to 2000. It was about a sly, clever and pretty woman called Yasemin as she tricked and schemed against her victims, and her innocent best friend Şule who lives a complicated and hard life. Yasemin is the leading character and also the main villain, however, she can be kind and caring at times.

No synopsis available yet.

No synopsis available yet.

Three male housemate and three female housemate came across in a cafe, and they fall in love with each other.

No synopsis available yet.

A former police officer struggles to clear his name after being fired from his impudent job. He returns to his job, but struggles to overcome the paranoia and darkness he has grown inside.

Kara Melek is a TV series that was broadcast on Star TV and ran from 1996 to 2000. It was about a sly, clever and pretty woman called Yasemin as she tricked and schemed against her victims, and her innocent best friend Şule who lives a complicated and hard life. Yasemin is the leading character and also the main villain, however, she can be kind and caring at times.

No synopsis available yet.

No synopsis available yet.

Three male housemate and three female housemate came across in a cafe, and they fall in love with each other.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

13-year-old Fidan learns that she has earned the right to attend the country’s most prestigious high school. However, it is not easy for her to leave behind her father, who has disappeared under the shadow of tragic events, and her little brother, to move to the big city. Fidan finds herself at a crossroads, driven by the spirit of sacrifice so characteristic of the noble women of Anatolia. The decision she makes will shape her future. Should she go to the school her mother has dreamed of for her, one that promises to open the doors to a bright future? This is the story of one sapling among the millions of trees in a land where some of the world’s strongest women have lived and where, despite everything, miracles can still happen.

Muezzin Musa falls for his neighbor, the Catholic nurse Clara. The story gets even more exceptional when Musa meets Yakup, who turns out to be connected with Clara.

Two sisters whose parents have died are sent to live with their uncle in Bodrum for a short time after their grandmother moves to Canada. A relationship develops between the girls' uncle and their pilates instructor, who has been hired to look after them. The girls want to stay in Bodrum with them instead of going to Canada. The uncle, who had never even considered letting the girls stay there due to his disability, is about to change his mind when he discovers that the woman he loves is hiding something from him. Will the girls stay in Bodrum, or will they be sent to Canada, which they do not want to go to?

A Warm Gaze: Mehmet Güreli explores the multifaceted body of work of Mehmet Güreli, one of Türkiye’s leading artists and a master of music, cinema, painting, and literature. Through the lens of Gamze Terra, the documentary offers an intimate journey into Güreli’s profound and multilayered artistic universe.

A Warm Gaze: Mehmet Güreli explores the multifaceted body of work of Mehmet Güreli, one of Türkiye’s leading artists and a master of music, cinema, painting, and literature. Through the lens of Gamze Terra, the documentary offers an intimate journey into Güreli’s profound and multilayered artistic universe.

With no previous film experience, the master director finds herself in the magical world of film sets, embarking on an artistic journey that began with coincidences that changed the course of her life. Inspired by the work of established filmmakers, Biket İlhan developed her skills as if she were attending a school. Despite facing many challenges, including the difficulty of finding producers for her films, she persevered and built her extraordinary legacy brick by brick. She took bold steps to achieve this, always maintaining her commitment to art and his independent stance in the world of cinema. Are you ready to witness her determination to realise her dreams, her resilience in the face of challenges and the intricacies of the filmmaking process — all without worrying about box-office success, but simply following her heart?

With no previous film experience, the master director finds herself in the magical world of film sets, embarking on an artistic journey that began with coincidences that changed the course of her life. Inspired by the work of established filmmakers, Biket İlhan developed her skills as if she were attending a school. Despite facing many challenges, including the difficulty of finding producers for her films, she persevered and built her extraordinary legacy brick by brick. She took bold steps to achieve this, always maintaining her commitment to art and his independent stance in the world of cinema. Are you ready to witness her determination to realise her dreams, her resilience in the face of challenges and the intricacies of the filmmaking process — all without worrying about box-office success, but simply following her heart?

Necip Sarıcı is one of the shining lights of our cinema. Sound engineer, photographer, writer, producer, collector, who felt as if he entered the treasure room of Topkapı Palace when he entered the sound room at Lale Film Studio...He is one of the most important building blocks of our cinema. The history of cinema in our country is carried to the present day thanks to his enormous collection.

Necip Sarıcı is one of the shining lights of our cinema. Sound engineer, photographer, writer, producer, collector, who felt as if he entered the treasure room of Topkapı Palace when he entered the sound room at Lale Film Studio...He is one of the most important building blocks of our cinema. The history of cinema in our country is carried to the present day thanks to his enormous collection.

During The Feast of the Sacrifice, all family, sons, daughters, granddaughters, relatives gather at the country house of Rıza Gülsoy. Rıza's family celebrates the holiday while they share the good memories, dine, drink, sing, and dance. Horror starts when one of the granddaughters of Rıza the emperor, suddenly disappears.

During The Feast of the Sacrifice, all family, sons, daughters, granddaughters, relatives gather at the country house of Rıza Gülsoy. Rıza's family celebrates the holiday while they share the good memories, dine, drink, sing, and dance. Horror starts when one of the granddaughters of Rıza the emperor, suddenly disappears.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.

Our protagonist is an impenitent observer. Having adopted as principle, watching almost everyone and everything and learning every detail, he works at a tobacco warehouse. Even though everyone calls him “Observer,” he is actually a watch guard. In fact, he observes and also uses his observations. But he loses his grip. Because, those who talk about their observations and easily utilise them are not favoured at all. Does a rectangle has three corners or does it have three corners just because one sees three corners while standing at the other corner? Can a rectangle be three-cornered as well?

Our protagonist is an impenitent observer. Having adopted as principle, watching almost everyone and everything and learning every detail, he works at a tobacco warehouse. Even though everyone calls him “Observer,” he is actually a watch guard. In fact, he observes and also uses his observations. But he loses his grip. Because, those who talk about their observations and easily utilise them are not favoured at all. Does a rectangle has three corners or does it have three corners just because one sees three corners while standing at the other corner? Can a rectangle be three-cornered as well?

No synopsis available yet.

The life of Nazan, who runs the small town bakery "Tatlı Maya" (Bread of Hope) all on her own, changes when a young Syrian woman named Rana walks through her door. Already in labor, Rana gives birth to her baby inside the bakery. Having lost her husband, been evicted from her home, and left with nowhere else to go, Rana is taken in by Nazan—first into her own home, and later into the bakery. As a quiet bond forms between the two women amidst the rhythms of daily life, rumors begin to spread and intensify throughout the town. Fueled in part by Sami—a man who has long harbored an interest in Nazan—these prejudices lead customers to abandon the bakery, eventually resulting in the authorities sealing off "Tatlı Maya" on the grounds that Rana was being employed there illegally. Nazan begins to pay a heavy price for the decision she made.