John Daumery

Alain's uncle sends him to France to toughen him with his aviator friend Pierre. He meets Suzanne on the voyage and fights for her love against José in an airplane.

Out of love for his adoptive mother, Carl Brenner allows himself to be accused and imprisoned because of an illegal operation carried out by Doctor Stefan Brenner, the legitimate son of Mrs. Brenner. A few years later, Stefan died of alcoholism and Carl made a name for himself under his name.

An aunt objects to the romance between her niece and a neighbour's nephew, and steps in to put an end to the love affair.

Georges de Frileuse is a partier who inherits a castle and a ruby ​​necklace when his aunt dies. On Twelfth Night, he invites a few friends over, but a series of mysterious figures arrive instead of them.

Dixie, a young Broadway dancer, leaves her fiancé Jimmy to go into the movies.

A clever, out-of-work man through a series of misunderstandings and bold maneuvers, manages to pass himself off as a wealthy and influential figure. He uses this false persona to navigate high society and outwit various characters he encounters. The comedy centers on his efforts to maintain the facade while dealing with the romantic and financial complications that arise.

Alain's uncle sends him to France to toughen him with his aviator friend Pierre. He meets Suzanne on the voyage and fights for her love against José in an airplane.

Out of love for his adoptive mother, Carl Brenner allows himself to be accused and imprisoned because of an illegal operation carried out by Doctor Stefan Brenner, the legitimate son of Mrs. Brenner. A few years later, Stefan died of alcoholism and Carl made a name for himself under his name.

An aunt objects to the romance between her niece and a neighbour's nephew, and steps in to put an end to the love affair.

Georges de Frileuse is a partier who inherits a castle and a ruby ​​necklace when his aunt dies. On Twelfth Night, he invites a few friends over, but a series of mysterious figures arrive instead of them.

Dixie, a young Broadway dancer, leaves her fiancé Jimmy to go into the movies.

A clever, out-of-work man through a series of misunderstandings and bold maneuvers, manages to pass himself off as a wealthy and influential figure. He uses this false persona to navigate high society and outwit various characters he encounters. The comedy centers on his efforts to maintain the facade while dealing with the romantic and financial complications that arise.

'Poor lord tells future father-in-law that his ex-fiancée is his sister.' (British Film Catalogue)

French-language version of Howard Hawks' The Crowd Roars (1932): A race car driver vies with his younger brother, who he'd hoped to keep away from the track, both in competition and for a girl who hangs out with the men. Tragedy results.

Call Me Mame is a 1933 British comedy film directed by John Daumery and starring Ethel Irving, John Batten and Dorothy Bartlam. It was made at Teddington Studios as a quota quickie.

A lighthearted look at the personal struggles of two newlywed stage performers who are driven to separation by their interfering parents.

No synopsis available yet.

Lopez and his gang attack a ranch where he finds a man who once saved his life.

A police dog helps to track down two payroll robbers.

Investigation into the murder of a village squire.

Undercover police officer Dan Hogan infiltrates a ruthless gangster mob. Hogan’s main objective is to identify the real criminals responsible for the murder of his younger brother. Along the way, he teams up with a woman named Nora Brady, whose own brother was falsely convicted of the same murder.