Viola Dana

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

When a wealthy young lady loses her inheritance, she decides to apply for work in disguise. In prim and proper working girl attire she becomes the respectable companion of a woman looking to reform her wayward nephew.

Young bride Patricia Morley's flirtatious ways at a summer resort keep her husband Henry in a state of continual anxiety. At an old-fashioned barn dance, Patricia enacts the role of a chicken breaking out of an egg, and Henry's wrath explodes. After accusing her of being in love with another man, Henry returns to New York and files for divorce. Heartbroken, Patricia sends her friend Victoria French to tell Henry that she is dying.

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Ben Lyon and Viola Dana co-star in this heavy society drama

Happy O'Brien, called "The Microbe," or "Mike" for short, a female street urchin who sells newspapers dressed as a boy to avoid harassment, is saved from arrest for fighting other newsboys in Chinatown by wealthy author DeWitt Spense. DeWitt, there to purchase drugs, is so moved by Mike's pugnacity, that he takes her to his mansion for literary inspiration. When DeWitt learns that Mike is a girl, he resolves to educate her. As Mike blossoms, DeWitt's attentions turn to love, to the dismay of Judith Winthrope, who wants to marry him, and his friend Robert Breton, who, with Judith, convinces Mike that DeWitt's writing is suffering because of her.

The Jazz Age rages in this comedy film starring Viola Dana as the madcap title character madly dashing through a series of adventures.

Stranded in the small town of Buckeye Junction young actress Madge Joy crawls upon a load of hay and falls asleep. Knocked unconscious when young farmer Robert Deep hitches up the wagon not realizing she’s inside she awakes in the Deep living room. "Ma" Deep takes to her at once, but old “Pa” Deep looks at her sternly. Claiming to be a runaway orphan rather than an actress she becomes a member of the family. Falling for Madge Robert confesses he dreams of being a playwright, that night his sister Susan, who has run away to be an actress, reappears. Pa Deep is furious when he finds out his daughter has been on the stage, but Madge reveals that she is herself an actress threatening to go away with Robert unless he makes up with his daughter. Eventually Madge finds fame in New York with Robert following with a play he knows is right.

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...

After young Ruth Bowman's mother dies, the child is raised by Agatha Pixley, and in time, the girl falls in love with Agatha's son, Eric. While Eric is at sea with Captain Scudder on a boat owned by Jim and Hiram Hawley, a jealous villager spreads the tale that Ruth is illegitimate, and the townspeople inevitably snub her. Jim Hiram sets his boat on fire after its arrival in port so that he can collect insurance money, and Ruth, believing that Eric is on board, tries to rescue him. When Ruth and Eric escape safely, Captain Scudder reveals that he, Ruth's long-lost father, was legally married to her mother, which re-establishes Ruth's good name and enables her to marry Eric.

Viola Dana plays Eleanor, a minister's daughter who comes to New York to visit her older sister, a successful businesswoman. Eleanor manages to get a job as a nurse in a major metropolitan hospital. One night, she is called upon to look after a drunken tourist, who turns out to be her hometown sweetheart Roger (Pat O'Malley).

June, a young orphan, is befriended by Perry Bascom when he shares his lunch with her on the road to Rising Sun. They soon fall in love and marry, only to find out that a woman in Perry's past has come to town to make trouble. Teaming up with the local political bully, the schemers set out to make Perry's life miserable, but June sticks by her husband to the end.

George Anderson, a struggling author, works in the daytime as a clerk in the office of Emmet Standish, the publisher, and at night writes on his novel, "The Mortal Sin."

Clytie Whitmore (Viola Dana) finally consents to marry Cadbury Todd (Gerald Pring), but while walking down the aisle she runs out of the church and into the passing car of Ken Pauling (Bryant Washburn), a well-known jazz musician. Shortly after returning home, Clytie escapes from her locked room and goes to Pennetti's roadhouse, where Ken is appearing, closely pursued by gossip columnist Hamilton Peeke (Leon Barry). She dances in the show in place of Sonora, then escapes with Ken when the roadhouse is raided. They elope but eventually her family accepts the couple.

Mary Bishop, a clerk in a jewelry store, finds out that her ex-boyfriend Fred Garrison, who left town to make his fortune, is coming back and wants to see her. Having heard that Fred has married a wealthy society girl and is quite rich, Mary borrows some jewelry from the store, dresses up in her finest and when she sees Fred, tells him that she has married the richest man in town and is now quite well-off. Complications ensue.

Echo, the orphaned "flower of no man's land," has been raised by an Indian foster father, Kahoma. Then, when opera singer Roy Talbot goes West to recover his health, Echo falls instantly in love and forgets all about Big Bill, her cowboy sweetheart. Roy marries Echo and takes her back East, but soon after returning to his adoring public, he loses all interest in her. Finally, Echo leaves Roy and goes back to the wilderness, where she discovers that Roy had already been married when they met and had deserted his wife years before. For so deceiving his adopted daughter, Kahoma tracks Roy down and kills him, while Echo forgets about her big-city unhappiness and returns to Big Bill, with whom she makes plans to marry.

Evelyn and her boyfriend William Bard are members of a small Shaker community. They rock the community one day when they announce that they want to get married and have children, in direct opposition to the Shaker prohibition against marriage and procreating. The Shakers drive the couple out of town, but before she leaves Evelyn gives birth to a daughter, Eve. Shortly afterward Evelyn dies, and the Shakers inform William that their daughter Eve has died also. William leaves town, but vows to take his revenge on the Shakers, whom he blames for the loss of his family.

After Ned Hamilton is rejected by his girlfriend, he travels to Japan where he hears an old legend about the Willow Tree Princess, who kills herself so that her lover will go off to battle. When he makes a purchase from Tomotada, an image maker, he meets his pretty daughter O-Riu, and they recreate the events of the legend.

Connie McGill, a scullery maid at the Valentines, dreams of better things. One day, while serving, she sees her Prince Charming, Prentice Blue. Although Blue has nothing but his social standing, the nouveau riche Nathaniel Flint wishes his daughter Helen to marry him in order to gain family status. Flint gives a big party for Helen, which attracts the attention of the Du Geen band of crooks. In a scheme, they furnish the unsuspecting Connie with proper clothes, transforming her, and she ends up at the party dancing with Blue, who is enchanted with her. As she departs, she accidentally leaves her slipper with Blue. Unknown to her, she has aided the crooks in stealing jewels that night, and her slipper contains the key to Flint's safe.

An illegitimate child of the slums comes to faith. Later, she chooses to labor in a canning factory in order to investigate its poor conditions, not realizing she has a significant connection to the cold-hearted factory owner.

When noted scientist John Vandam dies in the Orient, he leaves the guardianship of his eighteen-year-old daughter to his old friend Sandy Verrall. Sandy believes that Eliza is a little girl and so prepares for the arrival of a child. Displeased with the situation, Eliza decides to dress and act like a kid so that Sandy will tire of her and send her away.

A winning lottery ticket and the theft of half of it leads to both joy and a lot of trouble for former coworkers Abe and Kitty as well as Abe’s daughter Minnie and her true love David Moss.

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

The invalid Count de Suchet, nearing death, tells his friend, artist Henri Dutray, about the tragic events of his early life. He secretly married a dancer, and after she gave birth to a daughter, his father convinced her that she was ruining her husband's life. She gave the baby to an old couple, and then killed herself. The grieving count now worries about his daughter. Meanwhile, Jeanne, an Apache dancer in Montmartre, refuses to be sold by her brother Jacques to an old rogue. After she escapes and hides in Henri's studio, Henri, because he needs money, plots with Jacques to make the count believe that Jeanne is his daughter.