Mio Ezaki

A 1967 crime film

Comedy about a young man who causes pandemonium by raiding a bar patronized by his father, winning the favors of a hostess and ends up feeling the breasts and hips of all the girls in his father's office.

Ryu (Akira Kobayashi) sets foot on the Yokohama port with a suitcase filled with 300 thousand dollars. He was sent by a jewelry company in Hong Kong to retrieve a certain diamond that was stolen from them. The "Himalayan Star" is worth couple hundred million yen and unbeknown to Ryu, it now lays in the hands of Aizu (Jo Shishido), the infamous ”Pirate of the Tokyo Bay."

Hiroko, who has a weekly magazine reporter as her lover is assigned as a public health nurse in a remote village. However, there is widespread poverty and ignorance beyond her imagination.

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

A 1967 crime film

A 1967 crime film

Comedy about a young man who causes pandemonium by raiding a bar patronized by his father, winning the favors of a hostess and ends up feeling the breasts and hips of all the girls in his father's office.

Ryu (Akira Kobayashi) sets foot on the Yokohama port with a suitcase filled with 300 thousand dollars. He was sent by a jewelry company in Hong Kong to retrieve a certain diamond that was stolen from them. The "Himalayan Star" is worth couple hundred million yen and unbeknown to Ryu, it now lays in the hands of Aizu (Jo Shishido), the infamous ”Pirate of the Tokyo Bay."

Ryu (Akira Kobayashi) sets foot on the Yokohama port with a suitcase filled with 300 thousand dollars. He was sent by a jewelry company in Hong Kong to retrieve a certain diamond that was stolen from them. The "Himalayan Star" is worth couple hundred million yen and unbeknown to Ryu, it now lays in the hands of Aizu (Jo Shishido), the infamous ”Pirate of the Tokyo Bay."

Hiroko, who has a weekly magazine reporter as her lover is assigned as a public health nurse in a remote village. However, there is widespread poverty and ignorance beyond her imagination.

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

Based on manga by Kazuo Koike and Keiji Yoshitani.

A ronin named Azami Onijuro travels the Nikko Highway, he is being followed by the bounty hunter Daihachi and Yukata Danzen. He is pursued by his past as a covert spy under Lord Matsudaira. Due to certain circumstances, Onijuro betrayed him and became a wandering ronin. Ever since, he's been hunted by Matsudaira's subordinates and bounty hunters. After saving the tough and fiery woman Omom from yakuza trouble, Onijuro and his companions head to Akame-shuku (inn town). Here, a conflict brews between the Tsurugame family led by Genroku and the lawless monk group led by Tetsuzan, a former sumo wrestler gone rogue. Onijuro sides with Tetsuzan, while Daihachi and Danzen side with Genroku. This intricate web of allegiances and confrontations unfolds against the backdrop of the bustling post-town.

A humorous yakuza action melodrama with gangsters, drugs and that old comedy-standby, white slavery.

Drama is afoot at Shirobara Middle School when the bold Henmi Ryoko transfers into Class A, 9th Grade. She immediately picks a fight with, Masuda, the head of the preparation committee. The girls' battle for control of the gang soon grows out of control as it sweeps up the entire school. Brawls. Seduction. Yakuza. And more!

Three years had passed since Ichiro Takeo left Japan. He was a young physician with a promising future, until his medical error caused the death of a big-shot politician. He was discharged from the hospital and had since sailed around the world as an on-board doctor. As he was about to reach the Taiwanese piers of Kinmon Island, thoughts of his days in Japan crossed his mind - he reminisced about the Taiwanese girl, Yan, who had scooped him out of his misery during the time of the medical accident. At times of war, the two rekindle an old flame.

No synopsis available yet.

Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.

Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.

1967 Japanese movie

1967 Japanese movie

When Toru Sagara (Yujiro Ishihara) returns home from a foreign cargo route, he proposes to his beloved girlfriend Akiko (Ruriko Asaoka). She joyously agrees, promising a life together. On the day they were to be joined in matrimony, Akiko suddenly goes missing. Toru waits hours for her to show, but he is only greeted by the darkness of night. Four years later, his fiancée turns up at a night club in Yokohama with another man.

When Toru Sagara (Yujiro Ishihara) returns home from a foreign cargo route, he proposes to his beloved girlfriend Akiko (Ruriko Asaoka). She joyously agrees, promising a life together. On the day they were to be joined in matrimony, Akiko suddenly goes missing. Toru waits hours for her to show, but he is only greeted by the darkness of night. Four years later, his fiancée turns up at a night club in Yokohama with another man.

A former gang leader and lone wolf who has left the organization works behind the scenes in a new city to take revenge on a giant alliance of organizations. This film is amongst the last "straight" yakuza films made at Nikkatsu before the studio's switch-over to pinku eiga.

No synopsis available yet.

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

A comedic tale that follows several quirky individuals who navigate the twists and turns of their daily lives.

In a fictional mining city in northern Kanto, a Tokyo drifter named Shiro (Ishihara Yūjirō), caught in a conflict between two transportation companies, plays the role of both the good and bad guy.

1962 Japanese movie

A jazz pianist named Shiro Tsuda returns from an overseas tour unwittingly carrying drugs that have been sewn into his jacket. When he stops by to see his girlfriend Kyoko, he walks in to find an unknown man attacking her. While struggling with the man, who is armed, Shiro accidentally shoots and kills her. The intruder knocks Shiro down and takes the drugs from Shiro's jacket. Shiro realizes that he was being used as a drag smuggler. He is sent to prison for three years for killing his girlfriiend. When he is released, he is determined to find out who set him up.

Bastard tablets that hunt down the crooks behind the gambling world of horse racing, bicycle racing, and car racing.

Kensaku Muro and his father manage a farm in Sakudaira at the foot of the Yatsugatake Mountains. One day Kensuke saves a suicidal woman, Fukiko Uzu, who jumps into a waterfall. Having injured his eyes in the process, he is brought to Tokyo for medical treatment. In Tokyo, Kensaku visits his mother Kaneko who left her son years ago. She now owns an exclusive club and has a son, Isao, with the president of Kobe Concern. Isao plots to steal Kensuke's farm as part of a land development scheme with Fukiko's husband. Without knowing they are blood related, their conflict over the farm intensifies.

Based on the comic by Kazuo Koike

Based on the comic by Kazuo Koike

Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.

Tetsuya Watari, a modern youth idol, co-stars with Tetsuro Tamba for the first time, and a young man who survives freely is an action giant who swings down the iron arm of justice and anger toward evil

Tetsuya Watari, a modern youth idol, co-stars with Tetsuro Tamba for the first time, and a young man who survives freely is an action giant who swings down the iron arm of justice and anger toward evil

As a foreign gambling ring tries to take over the Japanese underworld, Himuro the ace gambler must face their leader - and his dangerous gadgets…

No synopsis available yet.

Masaaki Kagari (Akira Kobayashi) is the recruiter and protector of hostesses at the Club Rose. One day he visits Club Aron, to complain about attempts to lure hostesses from Club Rose. Aron's madam Hisayo reminds him of a tragic experience five years before, when a lovely girl named Kumi committed double suicide with a man in a hotel. For Aron's madam is Kumi's elder sister. Kagari's friend Hayazaki introduces him to Chie, the young sister of the man who died with Kumi, who has come to Tokyo to learn the truth about her brother's death. Kagari sends them both away. But he continues to be haunted by the warmed-over memories. When Club Aron is found selling bootleg whisky Kagari learns that Hisayo has been a tool in the hands of the Akune group who are also responsible for trying to steal his girls, and that Fujikura, the public prosecutor who presided over the case of Kumi's death and ruled it suicide, is now the personal lawyer of the Akune group...

No synopsis available yet.

Comedy directed by Mio Ezaki.