Michiko Sakyō

Pinku from 1966.

Pinku from 1967.

Kidnapping drama, set in an isolated mountain district.

The husband of a young wife discovers she has a promiscuous background as a bar hostess. Feeling that his honor has been slighted, he refuses to have intimate relations with her. The woman flees her old-fashioned husband for solace in the arms of a former lover.

A woman joins with an insurance clerk in trying to kill her husband and thus secure a big insurance pay-out.

Pinku from 1973.

After being brutally gang-raped, a young girl grows into a woman with a double life: She's a well-to-do doctor by day and, by night, a revenge-driven streetwalker who uses sex as a weapon. That all changes when she finally falls in love and begins a new life with her husband -- only to discover that he has a troubling secret of his own.

Tomoko suffers at the hand of her husband, Arakawa, who practises sadistic sex with her and various other women. After Arakawa dies suddenly, Tomoko is at first relieved, but then discovers that she is incapable of enjoying sex unless she is in a masochistic position.

Kazuko Shirakawa plays a girl who left home to satisfy her inner lust. Her passion turns to despair when she looks at her miserable life and sees the loss of her one true love and eventually becomes a prostitute. Everything is masterminded by her jealous sister, who hopes to bed her husband. She eventually gets her wish.

The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?

Comedy about three soldiers, two female reporters, six prostitutes, and the wife of an officer, all stranded on a South Seas island at the end of World War II.

Kawai Midori's father left the family a long time ago and since her mother passed away, she has taken care of her younger siblings by herself by working with a group of itinerant camellia oil peddlers. While she is In Izu selling camellia oil, she meets a young student, Katō Yutaka, who asks her to let him take her picture. The peddlers also meet a jazz band, and when Midori sings a song, teased by the band's star singer Nanjō Haruo, the band members are enraptured by her beautiful voice. She eventually joins the band and quickly becomes a popular jazz singer.

With the object of discovering the male accomplice of Hideko, a bad girl, Michiko, a police-woman, disguises herself and infiltrates a gang. Then in a reformatory, under the name of Suzuko, she finds a certain girl who is familiar with Hideko and from her she approaches a woman, named Keiko. One day, at a beer-hall, the police-woman meets Keiko who just finished a secret narcotics transaction and asks her about Hideko. However, with the sudden appearance of Saburo, one of the gang, her search fails, and an exciting pursuit begins. Later Keiko is found dead.

In a complex story, various sexual escapades - heterosexual and lesbian - take place at a hospital.

A love affair in which a gangster who makes married women cry risks his life.

Film directed by Satoru Kobayashi.

Nude models are being brutally murdered one after another. Is the painter with the dark sunglasses really the killer?

Depicting female karma and sexual sorrow in the midst of revenge and immorality, a woman betrayed by her lover plans to take revenge on him by seducing his only son and dragging him into a sensual trap, but before long she too is writhing in delight and falling in love with him.

The pinku version of the famous ghost story Yotsuya Kaidan.

Sadistic twist on the "Mad Scientist" tale.

A reporter, Nagako Kita, is fired for writing about police corruption. To make money, she hides while a weekly magazine publishes photos of her, and offers a prize to the person who discovers her. A group of three bank embezzlers, So Yamamura, Eiji Funakoshi, and Sotoji Mukui, employ Mukui's younger sister Fukiko as a fake employee at the bank and plan to make her disappear when the real woman appears again and blame the crime on her.

1959 Japanese film directed by Morihei Magatani for Shintoho.

Horror pinku from 1967.

1958 Japanese film