Hidetaka Yoshioka

In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.

War reduced Japan to zero, and Godzilla plunged it into minus. Two years have passed since then, and the country has faced agonizing struggles to achieve recovery and finally reclaim its daily life. Just as humanity managed to cling to a hard-won peace, a new threat strikes, crushing hope in an instant.

Workers at the Fukushima Daiichi facility in Japan risk their lives and stay at the nuclear power plant to prevent total destruction after the region is devastated by an earthquake and tsunami in 2011.

After transferring to the same elementary school, Takaki and Akari become fast friends, bonding over the constant upheaval of moving from town to town. Just as their feelings for each other start to blossom, their shared happiness comes to an end when both of their families are forced to relocate. As the seasons change, Takaki and Akari begin to wonder if they will ever be able to see each other again, and share their secret feelings.

In this drama set on Shikina Island, a far-flung island of the Japanese archipelago located more than six hours from the Japanese main islands, the young physician Kensuke Goto arrives at the island and has to deal with the island's inhabitants, not eager to accept him, at a clinic lacking sufficient medical equipment. Here's a human drama showing how Dr. Coto values the dignity of human life while unflinchingly facing disease with a serious attitude.

Baffling serial killings unfold in which the victims are tied up and left to starve. Tone was just released from prison after finishing his sentence for another crime, and he surfaces as a suspect but detective Tomashiro can't nail down conclusive proof.

Komari Sano's parents ran a small Tokyo factory that manufactured aircraft parts. With her parents' influence, Komari Sano dreamed of becoming a pilot. During World War II, her older brother died as a kamikaze pilot and her parents died during the bombing of Tokyo. Komari Sano became an orphan and lived with her aunt. Her aunt ran a ryotei (high end traditional restaurant). After the war, all aerial activities were initially banned in Japan. After long negotiations with the Supreme Commander of the Allied Powers, Sizuo Matsuki, who is the security chief of Civil Aviation Bureau, finally launched Japan's civil aviation. Komari Sano applies for the position of a cabin attendant.

A lonely young man moves in a 50-year-old apartment building. When he meets the cheerful residents, he finds himself surrounded by small happiness.

In the early days of the Internet, a case arises from an innovative software and the developer is falsely arrested by the police. This film is based on the true story of the men who fought against the authorities to protect the future and the rights of engineers.

14 year-old schoolgirl Tsubame is into university student Toru. She sees him in her area and really wants to be his. She struggles with how to inform him of her love. Then her stepmother becomes pregnant and she is distracted with that development. The one reliable part of her life is the calligraphy class she attends, but then she runs into a woman.

In the turbulent last days of the Edo period, Kawai Tsugunosuke, a Japanese samurai serving the Makino clan of Nagaoka, dreamt of independence from the restraints of vassalship. Despite his progressive views and his desire for his estate to remain neutral during the Boshin Civil War, he was bound by loyalty and duty to the clan and was compelled to choose sides.

2500 years ago, in India, Siddhartha was born as a prince of the Shakya clan, but he gives up his position as a prince to see the world. He meets a strange boy named Assaji, who can predict the future, a monk with only one eye and Depa. Siddhartha continues traveling. Siddhartha is overwhelmed by the sufferings he witnesses around him. Meanwhile, Prince Ruri of Kosara begins his attack on the Shakya clan. Second Buddha movie from Tezuka Productions.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Prince Siddhartha is heir to the Shakya kingdom, which is constantly at war with the more powerful Kosala kingdom. His father tries to raise as him as a warrior leader and to shield him from the miseries of the world. Meeting the young outcast girl Migaila, Siddhartha experiences love for the first time but also witnesses the suffering that afflicts humankind. Meanwhile, in Kosala, Chapra rises through the military, despite his lowly origins, to become a hero and general of the army. A final showdown between the two kingdoms forces Siddhartha to re-evaluate the path he is following.

Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.

As the Tokyo Olympics usher in a wave of rapid modernisation, the residents of Third Street face new beginnings as Mutsuko becomes involved with a seemingly perfect young doctor who may not be all he appears, while Chagawa struggles with his stalled writing career and what it truly means to be a father to the boy he has raised as his own.

When easy-going Aoyagi meets an old friend for a fishing trip, he ends up drugged, framed for the Prime Minister's assassination, and on the run from corrupt cops. It's only the beginning of what quickly becomes the worst, weirdest day of his life. But he'll get by with a little help from his friends, who include a famous pop diva, a rockabilly deliveryman, a crippled old gangster, and the world's most cheerful serial killer.

The 50th film in Tora-san series, using the old footages and newly shot scenes to celebrate the 50th anniversary of the series. The adult Mitsuo, Tora-san’s nephew, who runs into Izumi, his first love, whom he had once promised to marry. The familiar faces of Kurumaya Cafe, which Tora-san’s family ran in Shibamata, also return. Catching up with old friends, it is always their dearest memories of Tora-san which everyone shares on such occasions…

Movie contains the stories of three people: Suzuki (Toma Ikuta), Kujira (Tadanobu Asano) and Semi (Ryosuke Yamada). Suzuki is a former middle school teacher. His girlfriend was killed, which led him to quit his job and attempt to take revenge on her murderer. To do so, Suzuki has to infiltrate the underground world of criminals. Kujira is a contract killer for hire. He makes his targets fall into confusion and eventually commit suicide. Semi is a contract killer who uses the knife to take out his targets.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

A detective in Toyama is forced to confront his painful past when he takes on a murder case involving his two estranged childhood friends.

In a time when the main source of energy was still coal, there was a man who saw the future in oil. Young Tetsuzo Kunioka who hails from Moji, Kitakyushu, rides out into the oil business, but is faced with numerous challenges and competitors who stand in his way, including domestic suppliers and major western oil companies, or the "oil majors". But Tetsuzo never gave up, however despairing the situation was. He always found a way and paved a new road with his unconventional ideas, eccentric actions, and most of all, his caring heart toward his own men. That style of Tetsuzo's was not something that would ever change, even when the tides were against him in a war-lost Japan.

In May 2003, the Japan Aerospace Exploration Agency (or JAXA) launched an unmanned spacecraft of their own development to retrieve samples from an asteroid. Seven long years later, Hayabusa achieved its goal and was the first of any kind of craft launched from Earth to safely return samples of this kind to home base. The story was one of such great national pride for Japan, and in the wake of the tsunami and resulting tragedies in Japan it’s strong nationalistic message became the subject of no less than three rival films. Yukihiko Tsutsumi’s high-profile effort, simply titled Hayabusa (2011) starred the incomparable Toshiyuki Nishida. Most recently, Welcome Home, Hayabusa (2012) was released to Japanese audiences. Slipping in between those two was Hayabusa: The Long Voyage Home, concentrating on the people on the ground who helped return the probe safely.

A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.

In a post-war alternative timeline, Japan is divided into the North, controlled by the Union, and the South, controlled by the United States. A mysterious high tower rises within the borders of the Union. Three high school students promise to cross the border with a self-built airplane and unravel the secret of the tower.

In 1958 postwar Tokyo, the residents of a humble Third Street neighbourhood struggle, dream, and grow together as rapid modernisation transforms their lives beneath the shadow of the newly rising Tokyo Tower.

Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.

A year has passed in postwar Tokyo, and struggling writer Chagawa enters the Akutagawa Prize competition in hopes of securing a better future for the boy in his care, while the Suzuki family unexpectedly take in a new relative who looks down on their humble way of life.

This is the story between single mother housekeeper and mathematics professor,who has a brain damage.

O-Shin is a young brothel worker who, one night, helps a young samurai escape from his pursuers. Against the warnings of her fellow workers, particularly Kikuno and the brothel's owner, O-Shin falls in love with the samurai.

When her husband is hospitalized with tuberculosis, Chika has a series of three relationships: with a teacher in her hometown, with a student in Tokyo, and with an aging gangster.

An elderly Nagasaki hibakusha spends a summer caring for her four grandchildren, whose curiosity about the 1945 bombing stirs buried memories and moral questions. When an American nephew from Hawaii visits, the family confronts grief, guilt, and the possibility of reconciliation across generations.

In postwar Tokyo, beloved writer-professor Hyakken Uchida retires and is buoyed through hardship by the fierce devotion of his former students, who honor him each year with a raucous “Not yet!” birthday toast. Told in warm, gently comic vignettes, Kurosawa’s farewell celebrates aging, friendship, and the sustaining ritual of teacher and pupils refusing to say goodbye.

A railway stationmaster at a dying end-of-the-line village in Hokkaido is haunted by memories of his dead wife and daughter. When the railroad line is scheduled to be closed, he is offered a job at a hotel, but he is emotionally unable to part with his career as a railroader. His life takes a turn when he meets a young woman with an interest in trains who resembles his daughter.

The story follows the teacher and students of the Ryubetsu Handicapped High School.

Sequel to The Rainbow Seeker where Ryo meets Katsu on a small island in the south of Japan. There, he falls in love for a single mother.

A widow who has single-handedly raised her autistic son loses her job and begins attending a technical college to gain new qualifications. She meets others looking for a new start in life, including a former salaryman with whom she begins a furtive romance...

Tora befriends a pretty barbershop owner and runs into Izumi. When Tora twists his ankle, Mitsuo comes to care for him and see Izumi. Meanwhile, Izumi must choose between her new job in Tokyo and returning to Nagoya to care for her mother.

Carrying a bag full of samples, Mitsuo makes rounds to shoe stores in remote cities. While staying at budget hotels, his thoughts turn to Tora-san.

There is a man who divorced his wife. He moved to rural Hokkaido from Tokyo where he lived with his family without running water or electricity. He has his son and daughter in tow and works hard for them. The folk in the area try to help. A couple of years pass and the older son moves back to Tokyo, attends school and works part-time. The daughter commutes to the city to attend school. She wants to become a nurse. To become a registered nurse she needs to study a further three years. This takes money.

Tora-san works hard to bring together his nephew, Mitsuo, and Mitsuo’s girlfriend who is engaged to someone else.

Mitsuo goes to Nagoya to visit Izumi, whose father left Izumi’s sad, bar hostess mother for another woman, so together they decide to confront him in Oita. Meanwhile, Izumi’s mother befriends Tora-san and together they travel to Oita to meet them, with Tora-san quickly falling for her en route.

When Izumi can't stand seeing her mother flirt with other men, she leaves home. She sends a letter to Mitsuo and Mitsuo goes looking for her. But Izumi unexpectedly meets Tora-san.

The quiet life of a mother and her young son living on a farm in Hokkaido is changed by the arrival of a man who ignites flames of romance in the heart of the mother and shows her boy the importance of grit and kindness, but then he leaves with the autumn wind.

Director Ogata discovers a new female star in Koharu Tanaka, who works selling candy at a studio theater and she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.

A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.

Tora-san visits brother-in-law Hiroshi's hometown to attend a memorial service for his late father. When the local temple priest becomes intoxicated, Tora-san wearing the priest's robe delivers the memorial speech, much to his family's surprise. Thinking he's found his true calling, Tora-san decides to join the order, and falls for the priest's divorced daughter.

When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.

In his travels through Japan, Tora-san meets and falls in love with a female doctor, however he is afraid of committing to a relationship.

When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.

Tora-san returns to his family's home to attend an elementary school class reunion. After he embarrasses himself by getting drunk and insulting all his ex-classmates, he resumes his travels. In Kyushu he meets an outspoken 18-year-old girl who becomes enamored of Tora-san and follows him around. One of Tora-san's old friends is terminally ill and makes Tora-san promise him to marry his wife once he is gone.

Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.

Tora-san's nephew Mitsuo is exchanging letters with Izumi, a former classmate whose parents divorced and took her out of Tokyo.

Tora-san's family's neighbor, Akemi, who had been married in Marriage Counselor Tora-san (1984), runs away from her husband, who is only interested in work. Tora-san follows her to Shikinejima, and attempts to bring her back to her home. In doing so he encounters a school-reunion group who are traveling to meet their elementary school teacher, which is a reference to the film Twenty-Four Eyes by Keisuke Kinoshita. Tora-san joins them and falls in love with the teacher.

During his travels, Tora-san gets drunk with an old man in Kyoto. Though Tora-san never fully comprehends his importance, the old man is a Living National Treasure ceramist. At his home, Tora-san makes a good impression on the old man's maid, who apparently falls in love with Tora-san.

Tora-san returns to his family home to learn that his brother-in-law cannot go to Mitsuo's (Tora-san's nephew) athletic event. Tora-san volunteers to take his place, but gets into an argument with his brother-in-law's boss and returns to the road. He meets a young woman in Niigata who, unbeknownst to him, is a popular enka singer.

Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.

During his travels, Tora-san comes across a traditional theater he used to visit, and discovers that one of his old friends has died. Tora-san and his family help the friend's daughter, who becomes romantically involved with an aspiring artist.

In Nagasaki, Tora-san and an acquaintance help an old woman who has fallen and injured herself. She invites them to her home where the three share a night of eating and drinking. The old woman's health deteriorates and she dies. At her funeral, Tora-san falls in love with the old woman's daughter, but winds up acting as a go-between for her and a young law student.

The heir to a family fortune discovers that a curse has been placed on it, put there centuries before by a band of samurai warriors. Adaptation of novel by Seishi Yokomizo