Christian Thielemann

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A dream came true at Dresden's Semperoper in May 2016 when opera superstars Piotr Beczala and Anna Netrebko made their Wagner debuts as Lohengrin and Elsa, inspired to take on their new roles by Christian Thielmann, the Dresden Staatskapelle's principal conductor and one of the leading Wagner conductors of our day. Die Welt described the performance captured here as "musically one of the finest Lohengrins of all time". Contributing to the triumph are Evelyn Herlitzius's Ortrud. Tomasz Konieczny's Telramund, Georg Zeppenfeld's King Henry and the Dresden State Opera Chorus.

RICHARD WAGNER - Tristan und Isolde - Bayreuther Festspiele Stephen Gould, Evelyn Herlitzius, Georg Zeppenfeld, Iain Paterson, Christa Mayer Bayreuth Festival Orchestra, Christian Thielemann Staged by Katharina Wagner

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The richness and intensity of Richard Strauss's masterful one-act opera, in Herbert Wernicke's compelling production, vividly portrays the relentless pursuit and ecstatic realization of vengeance. Featuring Linda Watson, Jane Henschel, Manuela Uhl, Rene Kollo, and Albert Dohmen. The Philharmonia Chor Wien and Münchner Philharmoniker are conducted by Christian Thielemann

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As comparably short operas, Cavalleria Rusticana and Pagliacci are often billed together, but seldom is the lead tenor making his double role debut as Turiddu and Canio on the same evening. At the 2015 Salzburg Easter Festival, Jonas Kaufmann did just that to rapturous praise. Universally hailed as a coup for Kaufmann, the plaudits were also showered on Philipp Stölzl for his innovative staging which includes live video projections while referencing the era of black-and-white movies.

Ageing misfit Sir Morosus lives alone in an old-style apartment in Charlottenburg in Berlin. He is wealthy, but also lonely and a bit grumpy. Then his nephew Henry moves in with him and his life takes a turn for the better. Director Jan Philipp Gloger homes in on two of the most pressing problems of the day: loneliness and the housing shortage. The Staatskapelle Berlin is conducted by Christian Thielemann.

Christian Thielemann and the Vienna Philharmonic Orchestra performing Beethoven Symphonies 1-9

Wagner’s Meistersinger is a festive opera in its own right, but at the unforgettable performances of the work at the Vienna State Opera in January 2008 the festive spirit literally leapt out into the audience as well. Vienna’s dailies exploded with praise: “a feast of singers” (Der Standard), “grandiose” (Die Presse) and “close on six hours of pure enjoyment” (Der Kurier). The plaudits applied to all the singers from Hans Sachs to the nightwatchman as well as to the chorus and orchestra.

After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.

The second part of Richard Wagner’s monumental tetralogy in Dimitri Tcherniakov’s new production. He has thoroughly modernised the material and set the action in a research institute in the 1970s. Christian Thielemann is conducting *Der Ring des Nibelungen* at the Berlin State Opera, standing in for the house conductor Daniel Barenboim, who is unwell.

Christian Thielemann conducts the Staatskapelle Dresden in this performance of Wagner's opera recorded live in 2013. The performance was held for the Salzburg Easter Festival and featured vocalists including Johan Botha, Michaela Schuster, Stephen Milling and Wolfgang Koch.

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Flemings voice might have been made for Ariadne and she achieved a great personal triumph in this production: The chief glory of the evening was hearing Renee Fleming, the Straussian soprano par excellence, making her role debut as Ariadne… As the possessor of what is, possibly, the most beautiful soprano voice in the world, she put her vocal treasures in the service of an empathic, nuanced interpretation of the role. From the creamy top, through a rich, warm middle, to the bewitching, darker colours of her lower register, Fleming poured her magnificent sound into Strausss enchanting melodic arcs, animating the sadness, vulnerability, and desire of the bereft princess...

New year's eve concert conducted by Christian Thielemann

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The composer Richard Strauss (1864-1949) is still a shining light today. But behind his radiant aura lies a dark shadow. His life was full of contradictions. During the "Third Reich", he was president of the Reich Chamber of Music and at the same time protector of the Jewish part of his family. Who was this Richard Strauss?

This performance of the Richard Strauss opera Frau ohne Schatten, recorded live and in high definition, features vocalists like Stephen Gould, Anne Schwanewilms, Michaela Schuster, and Wolfgang Koch in the leading roles.

Christian Thielemann and the Vienna Philharmonic Orchestra performing Beethoven Symphonies Nos. 4, 5 and 6

BRUCKNER, A.: Symphony No. 7 / WOLF, H.: Lieder (Fleming, Thielemann) Recorded live at Semperoper Dresden, September 2012

Director Eric Schulz presents a four-part introduction to Wagner's tetralogy Der Ring des Nibelungen – arguably the most monumental single work in the history of western music. With extracts from several famous productions and contributions from leading musicologists and musicians – including conductor Christian Thielemann – Schulz explores the multiple levels of this extraordinary work, addressing each of its constituent operas in turn.

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

New Year's Concert 2024

After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.