Aida Marques

A guard watches a passing woman.

No synopsis available yet.

No synopsis available yet.

The film portrays the trajectory and life of the “Agudá” people today. This is a group of descendants of Africans enslaved in Brazil, who returned to their homeland with the end of slavery, and also descendants, Brazilian and Portuguese, of slave traffickers, who settled in that region of Africa in the 18th and XIX. Present in Benin and Togo, the “agudás” assimilated the surname and part of the culture of their masters.

A countercultural movement that took place at Ipanema Pier marked the history of all participants. Painters, musicians, actors, surfers and others came together to change the system through peaceful demonstrations, including drugs, sex and new experiences. After decades of events, the main participants recall the events.

For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.

A guard watches a passing woman.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The film portrays the trajectory and life of the “Agudá” people today. This is a group of descendants of Africans enslaved in Brazil, who returned to their homeland with the end of slavery, and also descendants, Brazilian and Portuguese, of slave traffickers, who settled in that region of Africa in the 18th and XIX. Present in Benin and Togo, the “agudás” assimilated the surname and part of the culture of their masters.

A countercultural movement that took place at Ipanema Pier marked the history of all participants. Painters, musicians, actors, surfers and others came together to change the system through peaceful demonstrations, including drugs, sex and new experiences. After decades of events, the main participants recall the events.

For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.

For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.

No synopsis available yet.

No synopsis available yet.