Eileen McCallum

Barney Thomson, awkward, diffident, Glasgow barber, lives a life of desperate mediocrity and his uninteresting life is about to go from 0 to 60 in five seconds, as he enters the grotesque and comically absurd world of the serial killer.

It's Laura's first job and she is anxious to do well, but her instinctive empathy with the elderly people in her care puts her in conflict with her colleagues.

On Christmas Eve, a Glasgow grandmother tells her grandchildren the story of how she met Elvis Presley in March 1960 when he stopped off at Prestwick Airport on his way back from Germany to America. She goes on to announce to the children that the King is their grandad.

A tenement community swindle a door-to-door salesman who offers exorbitant credit on the hire purchase of luxury items.

' I don't want to dust and polish. And I don't want to work on a farm. I want to write poetry, great poetry, as great as Shakespeare.' Those are the words of 16-year-old Janie as she comes to the end of a seven-year stay at an Aberdeenshire orphanage. (BBC Genome)

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

Life in a Scottish New Town

A remote farmhouse on an isolated island. Strangers with English accents. Quarrels and a lonely child. The year is 1946. The man is George Orwell. The book he has come to write is Nineteen Eighty-four.

Two old ladies meet in Glasgow and weave fantasies about trips to Paris.

An episode of the BBC drama series Second City Firsts. Jackie is leaving the army. While waiting for her car to arrive, she encounters Corporal Harvey, the woman who used to be her lover.

Trilogy of one-act plays based on short stories by Lewis Grassic Gibbon. ‘Clay’ is the story of a men who neglects his wife in favour of his land. ‘Smeddum’ is the story of a matriarch’s attempt to control her brood. ‘Greenden’ is the story of a city woman moving to the country with her husband.

Jake lives in the shadow of his dying grandfather, who was once the town's toughest hard man. Despite their hatred of each other, Jake's sole aim is to be as tough as the old man was. One day in Jake's life, as he drifts, drinks and fights, leads to a bleak realisation.

It's the day of the Orange Parade in Glasgow, but for Jon, the thrill of leading the parade and swinging the mace soon turns to horror as he learns the truth behind the costumes and songs.

When a farmer's land is wanted for a new town development, a lot of people find their lives put in the melting pot.

David lives with a woman nearly twice his age, who decides to make him her fantasy child. It is a role our young hero cannot resist, especially when David's parents come to dinner and he reads an extract from a story he has written...

Docudrama looking at the way children's panels will deal with juvenile delinquency in Scotland.

The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.

When Alison unexpectedly falls pregnant after a brief encounter with Alex (David Hayman's first TV role) they decide to marry. The joining of two seemingly different families opens into a witty and audacious tale, which caused uproar after its first broadcast in 1972. An early triumph for Peter McDougall, when it was proclaimed the most exciting writing debut since John Osborne's Look Back in Anger.

The day to day running of an electricity showroom.

Everybody tells Onnie to steer clear of Patsy Gallaher, that he's bad news, but Onnie doesn't see it. Gallaher is Onnie's friend, and he believes friends should be loyal to one another.