Gaizka Urresti

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

Actors and filmmakers revisit the career of José María Forqué, a director whose name is familiar through the awards that honour him but whose work is less widely known. His own voice joins their recollections in a portrait of his approach to filmmaking and his place in Spanish popular cinema.

Two brothers in financial dire straits, spurred by an unscrupulous lawyer, try to kidnap a construction tycoon but mistakenly capture a Catholic bishop instead. A frantic getaway ensues in search of a miraculous way out.

A young couple visits a widow named Amparo on Christmas Eve to possibly buy her floor. But Amparo seems more interested in their lives than a flat sale.

Around an old Chevrolet abandoned in a city square, a series of characters seek refuge and shelter.

An old couple is looking forward to a visit from their son. The father cuts a tree so that his son could park his car.

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

Actors and filmmakers revisit the career of José María Forqué, a director whose name is familiar through the awards that honour him but whose work is less widely known. His own voice joins their recollections in a portrait of his approach to filmmaking and his place in Spanish popular cinema.

Actors and filmmakers revisit the career of José María Forqué, a director whose name is familiar through the awards that honour him but whose work is less widely known. His own voice joins their recollections in a portrait of his approach to filmmaking and his place in Spanish popular cinema.

Two brothers in financial dire straits, spurred by an unscrupulous lawyer, try to kidnap a construction tycoon but mistakenly capture a Catholic bishop instead. A frantic getaway ensues in search of a miraculous way out.

A young couple visits a widow named Amparo on Christmas Eve to possibly buy her floor. But Amparo seems more interested in their lives than a flat sale.

A young couple visits a widow named Amparo on Christmas Eve to possibly buy her floor. But Amparo seems more interested in their lives than a flat sale.

Around an old Chevrolet abandoned in a city square, a series of characters seek refuge and shelter.

An old couple is looking forward to a visit from their son. The father cuts a tree so that his son could park his car.

An old couple is looking forward to a visit from their son. The father cuts a tree so that his son could park his car.

Daniel suffers from Angelman Syndrome. Miguel, his father, walks from Zaragoza to the top of Moncayo, the place where he celebrated his birth in search of answers to your child’s disability. Other parents of disabled children tell us their experience and the process of acceptance of an Unexpected Life.

Daniel suffers from Angelman Syndrome. Miguel, his father, walks from Zaragoza to the top of Moncayo, the place where he celebrated his birth in search of answers to your child’s disability. Other parents of disabled children tell us their experience and the process of acceptance of an Unexpected Life.

A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.

A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.

No synopsis available yet.

No synopsis available yet.

A loosely chronological visual “scrapbook” marking the 25th anniversary of the death of Luis Buñuel.

No synopsis available yet.

Teresa, volunteer in an NGO, goes to Mariana's house to determine whether she's elegible to foster one of their refugees, but the interview takes an ackward turn when Mariana's husband, Pedro, arrives. We will discover that nothing is what it looks like in this game of cat and mouse.

After the end of the Spanish Civil War (1936-39), a Basque priest and his students planted the seeds of the biggest cooperative business group in the world.

After the end of the Spanish Civil War (1936-39), a Basque priest and his students planted the seeds of the biggest cooperative business group in the world.

Yeneba is 7 years old and lives with tetraplegy, Miguel, 92, and he's the oldest person with a disability in Aragón. Two lives, one at the beginning and the other at its end, that walk in parallel with limitations that do not prevent them from happiness, especially provided by their families.

Yeneba is 7 years old and lives with tetraplegy, Miguel, 92, and he's the oldest person with a disability in Aragón. Two lives, one at the beginning and the other at its end, that walk in parallel with limitations that do not prevent them from happiness, especially provided by their families.