Vicente Pérez Herrero

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Every morning, the maid tidies up the lord's room; Every morning the man watches her through the keyhole; Every morning she builds a story of submission and power.

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Every morning, the maid tidies up the lord's room; Every morning the man watches her through the keyhole; Every morning she builds a story of submission and power.

Every morning, the maid tidies up the lord's room; Every morning the man watches her through the keyhole; Every morning she builds a story of submission and power.

No synopsis available yet.

The porn industry has grown from a product purchased on the sly, to be sold on newsstands in the daily press. "La piel vendida" aims to open a window to this film. His actors, actresses, directors, producers ... tell us their profession from the lights and shadows of a cinema by dint of being explicit in its imagery and themes, is hidden in their motivations: the viewer and their protagonists.