Yutaka Tsuchiya

As the first anniversary of the September 11 attacks approaches, peeptvshow.net begins broadcasting hidden camera footage of women and couples in their apartments at night. An aimless teenage girl comes across the site's admin in Shibuya.

A troubled teenager only lives through her camera and the Internet. Fascinated by science, she experiments on various animals, and her own mother, poisoning her with thallium and documenting the results.

Making-of documentary for Masao Adachi's "Prisoner/Terrorist"

After producing several experimental video art pieces, Tsuchiya first came to prominence with A New God, a personal documentary shot on video about his relationship with a right-wing, neo-nationalist punk rock band. Even though Tsuchiya is on the left, he ended up marrying the singer for that band, Karin Amamiya, who has since emerged as a spokesperson for disaffected Japanese youth in the media. The New God won an award at the 1999 Yamagata International Documentary Film Festival.

Third film of W-TV (Without Television) shareware series. Director Tsuchiya asks visitors at Yasukuni Shrine about Emperor Hirohito's complicity in the Second World War.

The filmmaker looks into problems of personal communication by focusing on the letters of a woman who has done enjokosai, that is, a young woman who agrees to talk with or meet or go to a hotel with (usually older) men for money. The director himself met Ryoko, the film's subject, via her telephone messaging system. Discarding the flood of sensational images found in the mass media, this film illustrates the thoughts of Ryoko and others from the perspective of those actually involved.

As the first anniversary of the September 11 attacks approaches, peeptvshow.net begins broadcasting hidden camera footage of women and couples in their apartments at night. An aimless teenage girl comes across the site's admin in Shibuya.

As the first anniversary of the September 11 attacks approaches, peeptvshow.net begins broadcasting hidden camera footage of women and couples in their apartments at night. An aimless teenage girl comes across the site's admin in Shibuya.

As the first anniversary of the September 11 attacks approaches, peeptvshow.net begins broadcasting hidden camera footage of women and couples in their apartments at night. An aimless teenage girl comes across the site's admin in Shibuya.

A troubled teenager only lives through her camera and the Internet. Fascinated by science, she experiments on various animals, and her own mother, poisoning her with thallium and documenting the results.

A troubled teenager only lives through her camera and the Internet. Fascinated by science, she experiments on various animals, and her own mother, poisoning her with thallium and documenting the results.

Making-of documentary for Masao Adachi's "Prisoner/Terrorist"

After producing several experimental video art pieces, Tsuchiya first came to prominence with A New God, a personal documentary shot on video about his relationship with a right-wing, neo-nationalist punk rock band. Even though Tsuchiya is on the left, he ended up marrying the singer for that band, Karin Amamiya, who has since emerged as a spokesperson for disaffected Japanese youth in the media. The New God won an award at the 1999 Yamagata International Documentary Film Festival.

After producing several experimental video art pieces, Tsuchiya first came to prominence with A New God, a personal documentary shot on video about his relationship with a right-wing, neo-nationalist punk rock band. Even though Tsuchiya is on the left, he ended up marrying the singer for that band, Karin Amamiya, who has since emerged as a spokesperson for disaffected Japanese youth in the media. The New God won an award at the 1999 Yamagata International Documentary Film Festival.

Third film of W-TV (Without Television) shareware series. Director Tsuchiya asks visitors at Yasukuni Shrine about Emperor Hirohito's complicity in the Second World War.

Third film of W-TV (Without Television) shareware series. Director Tsuchiya asks visitors at Yasukuni Shrine about Emperor Hirohito's complicity in the Second World War.

The filmmaker looks into problems of personal communication by focusing on the letters of a woman who has done enjokosai, that is, a young woman who agrees to talk with or meet or go to a hotel with (usually older) men for money. The director himself met Ryoko, the film's subject, via her telephone messaging system. Discarding the flood of sensational images found in the mass media, this film illustrates the thoughts of Ryoko and others from the perspective of those actually involved.

The filmmaker looks into problems of personal communication by focusing on the letters of a woman who has done enjokosai, that is, a young woman who agrees to talk with or meet or go to a hotel with (usually older) men for money. The director himself met Ryoko, the film's subject, via her telephone messaging system. Discarding the flood of sensational images found in the mass media, this film illustrates the thoughts of Ryoko and others from the perspective of those actually involved.

The director, twenty-three-year-old Iwabuchi Hiroki, is a permanent part-timer who on weekdays does menial work at a factory for 1,250 yen an hour, and on weekends takes on casual temporary work in Tokyo, a city he is fascinated with. He joins a demonstration demanding rights for permanent part-timers, and is featured on TV as "a poor, unhappy temporary worker." Despite having made his own choice to live as a permanent part-timer, he says that "the days feel like drowning in shallow water." But during the diary-like documentation of his life, something changes...