Hideo Fujino

The story of a boy who befriends a lonely middle-aged man.

A young doctor, Kozo Tsumura, falls for young nurse Katsue Takaishi. But she's got a secret: she's a widow with a son. Kozo and Katsue decide to run away to Kyoto, but her child suddenly became sick and she just missed the train and Kozo. She makes it to Kyoto finally, but is unable to meet him. Plus she isn't accepted into Kyoto society. She goes back to her hometown and tries to forget him. She quits the hospital to concentrate on her singing. She makes her professional debut with the hit "Aizen Katsura". Kozo is in the audience.

Inoue was something of a rarity in the sense, that he was a Shochiku house director who seems to have worked mostly in period films, often with big stars like Hasegawa or Bando. "Sumidagawa", named after the river that runs through Tokyo, is also a period film, but thematically a modern one. All the themes that you associate with the normal Shochiku women's films set in the present day are in this film, just in a different context: love, the planning of a marriage, career, family relations and societal melancholy. There is no action or swordplay.

A businessman’s daughter falls in love with one of her father’s employees.

No synopsis available yet.

A story of a store that makes Tabi socks.

Gotō Matabei is the most able and fierce samurai of the Kuroda clan. However, he gradually dislikes the ruthless personality of Kuroda Nagamasa and leaves the clan. Seven years later, he joins Toyotomi Hideyori's army. Filmed in 1945 and released in 1952.

A film adaptation of the play by Leo Tolstoy.

No synopsis available yet.

The story is centered around the devastating experiences of two villagers, Osaki Shuichi, and his cousin, Nishimiura Kinue, when they leave their hometown for the metropolis of Tokyo. They are in love with each other, but Kinue is expected to marry the lawyer Kanda Seiji. In consequence, Shukichi leaves for Tokyo, where he becomes tutor to the son of the rich Iwaki family. The heartbroken Kinue also makes her way to the capital, where she becomes a bar hostess.

Directed by Eizo Tanaka. Only 8 minutes of film is known to have survived.

Japanese silent film directed by Yasujirô Shimazu, originally released as a two-part movie on December 11, 1931.

A businessman runs afoul of the law and commits suicide, leaving behind a wife and five children. The eldest son takes the family to Tokyo and labors to restore its name and fortune

No synopsis available yet.

This was 1942, so it was a national policy film, no matter what you call it. But when the war was still on the winning side, there wasn't even a little bit of sadness in the film (as the war was getting worse and worse, the burdens on our backs were increasing day by day, and we had to keep forming a line for tomorrow with nowhere to go (Akira Kurosawa's "The Most Beautiful", Admiral Nomura's "Enemy Air Raid", etc.) (Song of Annihilation, directed by Sasaki Yasushi). The film closes with the hope of the blue cloud that is bubbling up in the air. Or it may be the last time that a Japanese film talks about war and looks at the end of the war with an unconcerned eye.

Japanese silent film from 1929.

Japanese silent film from 1928, ranked as Kinema Junpo's second-best Japanese movie of the year.

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

Three couples connected to rival business and theatrical families navigate complicated romances, workplace disputes, and family opposition.

After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.

1939 Japanese movie

A farmer’s boy, obsessed with his balsa-and-paper flying models and with dreams of real aircraft, develops a friendship with the daughter of the local squire, who introduces the lad to her pilot brother and his flying officer friends; through hard work, and despite the handicap of a lowly class status, he eventually succeeds in qualifying as a pilot and joining the air force.

The narrative is about a woman who faces hard times, when her husband is arrested for a crime committed by his boss. The woman also has a child to look after, and they end up meeting several colorful personalities.