Marzieh Vafamehr

After the violent death of her husband, Parisa is placed in a psychiatric facility while awaiting investigation. As strange visions begin to haunt her, the line between trauma and reality slowly dissolves, and something powerful starts demanding to be seen.

Shot on the streets of Kabul, Granaz Moussavi’s (My Tehran For Sale) outstanding new feature is in the tradition of the great child-centred works of the 1980s when filmmakers such as Kiarostami, Panahi and Amir Naderi (to whom this film is dedicated) were putting Iranian cinema in the forefront of world production. 9-year-old Hewad is an irrepressible, street-smart kid who is energetically working every angle, hustling everything from pomegranate juice to amulets to protection from the evil eye. His real ambition is to be a movie star, and this comes a step closer when he meets an Australian photographer. But in a city where every family has a member who has been “martyred,” the streets are as perilous as they are vivid. Australia’s recent involvement with Afghanistan has been mixed, to say the best. The deeply-felt humanism of this film might just be our most effective contribution to that troubled country.

No synopsis available yet.

On her way back from work, a woman witnesses something happening in the bus. She must decide if she will reveal it or not.

A renowned author is suffering from leukemia. His wife tries to make money for his treatment expenses, but it is difficult and very high treatment costs.

Yahya a young religious man chose an AIDS hospice for his occupation. He is completely unlike his colleagues. He dressed like the ordinary people and he is not a talkative guy and his target is helping. In the other hand is a doctor who is the head of hospice and he enjoy of torturing his patients. He have made some where in his hospice for doing his research about HIV where named "Heaven" by hospitalized patients.

Shot on the streets of Kabul, Granaz Moussavi’s (My Tehran For Sale) outstanding new feature is in the tradition of the great child-centred works of the 1980s when filmmakers such as Kiarostami, Panahi and Amir Naderi (to whom this film is dedicated) were putting Iranian cinema in the forefront of world production. 9-year-old Hewad is an irrepressible, street-smart kid who is energetically working every angle, hustling everything from pomegranate juice to amulets to protection from the evil eye. His real ambition is to be a movie star, and this comes a step closer when he meets an Australian photographer. But in a city where every family has a member who has been “martyred,” the streets are as perilous as they are vivid. Australia’s recent involvement with Afghanistan has been mixed, to say the best. The deeply-felt humanism of this film might just be our most effective contribution to that troubled country.

No synopsis available yet.

No synopsis available yet.