Carolina Cabrerizo

During the economic crisis ravaging Spain during 2010, Leo and his friends enjoy a convenient charging situation unemployment insurance. In his thirty discouraged by the working environment, spend their days visiting different city rooftops randomly chosen to spend the hours doing nothing. Amid the current apathy and evasion, Leo discover that perhaps never before stopped to think about what he really want. The relationship with his girlfriend Ana and her best friend Mario mark the beat of its evolution to the point where he have to decide whether to continue the same old life, or change follow his instincts and take own initiative.

Fausto is a trap singer on the rise on the Barcelona music scene. As a tragic life event hits him hard, Fausto questions his sanity while spiraling down into a hallucinatory self-destructive depression.

A. faces his doubts and fears in three stages.

A punk documentary which is, at the same time, a history of Catalonia, an analysis of its political situation in 2017, a comic lamentation on the milestones of the Procés —the broken, unsuccessful path started October 1st which eventually should've ended with a true declaration of independence from Spain—, and a chaotic festival of references to pop culture, from Dumbo to Salvador Dalí.

A collective effort about the recent history of Spain. A distorting mirror, a radiography, a rotten but exquisite corpse: the blood, the sweat, the dandruff of a country in the shape of a large and extended bull skin. A parade of freaks. The ridiculous independence of the upstairs neighbor, the sovereignty demanded by an insane parrot prisoner in its open cage. Football, potato omelette, kings and safaris. Things not to do again. Guerrilla cinema. Hysteria of Spain.