Heinosuke Gosho

10 minutes 18fps, 35mm, silent, black and white. The film records the members of Studio F enjoying a cherry blossom viewing party, with the smiling faces of Gosho, Naruse Mikio, Fujimoto Masumi, Chiba Sachiko, Shinobu Setsuko, Kobayashi Jyukuji, and Kawakita Sotaro. The original is 8mm. Around 1935.

Japanese silent film from 1929.

Japanese silent film from 1928. Kinema Junpo ranked it among the ten best Japanese movies of the year.

Otoku asks her brother Bunkichi to speak with her son Seiichi, a young man for whom sacrificed everything but who now seems to be headed for a wastrel life. Bunkichi admonishes the boy to study harder, but it seems his uncle's advice may already be too late.

A feature-length work based on Kan Kikuchi’s newspaper novel, adapted for the screen by Kōgo Noda. With performances by stars such as Shizue Ryūda, Kinuyo Tanaka, and Yukiko Tsukuba, alongside handsome leading men like Shin’ichirō Komura, Hikaru Yamauchi, and Ichirō Yūki, the film outshone its contemporaries. The collaboration between director Heinosuke Gosho and cinematographer Mitsuo Miura, recently returned from America, gave rise to a work of first-class quality in the Japanese film world, distinguished by its brilliance and delicacy.

Three men fall in love with the same young girl who works in a tonkatsu restaurant in the Shitamachi district of Tokyo.

Three men fall in love with the same young girl who works in a tonkatsu restaurant in the Shitamachi district of Tokyo.

Because of her husband’s suicide, a young widow finds herself suddenly cast into a life of solitude, with only her beloved child in her arms. At first, her pure devotion is directed toward the memory of her late husband, but before long it transforms into a fierce, consuming love for her child. That very love, however, drives her onto a perilous path, leading inexorably toward the tragic fate of a doomed flower. Ah, Mother! For what sin must you endure the scourge of the world? This work is offered in silence and reverence—above all to mothers everywhere. [Adapted from the promotional poster.]

Because of her husband’s suicide, a young widow finds herself suddenly cast into a life of solitude, with only her beloved child in her arms. At first, her pure devotion is directed toward the memory of her late husband, but before long it transforms into a fierce, consuming love for her child. That very love, however, drives her onto a perilous path, leading inexorably toward the tragic fate of a doomed flower. Ah, Mother! For what sin must you endure the scourge of the world? This work is offered in silence and reverence—above all to mothers everywhere. [Adapted from the promotional poster.]

Based on the Sakatayama double suicide

Japanese film from 1932.

The eldest daughter of a noble family is in love with an aviator while being courted by a fellow aristocrat she thinks is a dullard. This part is told from the perspective of Akemi.

The eldest daughter of a noble family is in love with an aviator while being courted by a fellow aristocrat she thinks is a dullard. This part is told from the perspective of Akemi.

Half a Loaf... Avarice / Yoku

A middle-aged father has just married off his third daughter, but still has his nine year old son to raise whom he resents as he was unwanted.

Japanese silent film from 1930. Directed by Heinosuke Gosho, the film marked a new stage in the artistry of Kinuyo Tanaka, earning acclaim strong enough to greatly expand her following as a leading actress.

Early Japanese silent film directed by Heinosuke Gosho.

Ayako, a young woman from a rural fishing village, is sold by her family into a brothel when her father takes ill. There, she is quickly stripped of her innocence and illusions.

A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.

Five women classmates from a college in Tokyo are on the first stretch of a walking tour when one of them, Masako, falls ill at a railway station. Osen, a middle-aged maid from a nearby inn, takes her in and nurses her, assisted by Dr. Minami, a young physician who diagnoses her illness as a mild case of pneumonia. With Masako in good hands and needing a few days to recuperate, her classmates continue their tour. Masako’s recovery, however, is hampered by her spoiled and immature nature and her determination to punish the world for the loss of her mother.

Five women classmates from a college in Tokyo are on the first stretch of a walking tour when one of them, Masako, falls ill at a railway station. Osen, a middle-aged maid from a nearby inn, takes her in and nurses her, assisted by Dr. Minami, a young physician who diagnoses her illness as a mild case of pneumonia. With Masako in good hands and needing a few days to recuperate, her classmates continue their tour. Masako’s recovery, however, is hampered by her spoiled and immature nature and her determination to punish the world for the loss of her mother.

"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.

Follows the life of Tsuru, the poor daughter of farmers in Shinshu, Japan.

Atsuko is an office secretary who is also her family's primary source of income and caretaker in postwar Japan.

Sakura Ondo was a sound adaptation based on a popular 1934 song, produced at the Shochiku Kamata Studio as part of a five-studio competition to create a film based on the same tune.