Umut Dağ

Fatma is around 50, a housewife with six children. She lives in Vienna but grew up in Turkey and clings stubbornly to the traditions and values of the old country. Ayse is 19, and the film begins with her wedding in rural Turkey, to Fatma’s son Hasan. However, when the family takes Ayse to Vienna this is revealed as a charade, for Ayse is to be the kuma (second wife) of Fatma’s husband Mustafa.

The protagonist, a man in his early 30s, is primarily interested in one thing: rap music. The family always comes second. After his wife leaves him over night, he can no longer ignore his sons. Even though the emotional distance seems irreconcilable, he increasingly gains authority in his paternal role - that is, until mother Conny suddenly returns.

Two men who do not know each other: Ertan, a 35-year-old ex-convict who is trying to make amends for his past actions, and Mikail, a teenager drug dealer and aspiring musician. However, both will have to face the same reality.

An irreparable mistake in a case of abuse that drives the accused, a pastor, into suicide, prompted Kommissar Höllbacher to resign.

Cem Balta, an aspiring imam, lives in Hanover with his wife Sehra and daughter Hanna. For the family, German culture is just as much a part of their lives as Turkish culture. At least that's what they thought until now. But when they take in Pia, the child of a friend, after a tragedy, they suddenly find themselves confronted with old prejudices. Even in their immediate environment, their decision to raise Pia causes heated discussions. And soon Pia's grandparents Christine and Theo Unger, who do not want their granddaughter to grow up with strangers and certainly not with practicing Muslims, also get involved. A custody battle ensues, which suddenly becomes about values such as faith, family and home...

Is a murderer always a murderer? Karla Eckhardt supports easing measures for convicted murderer Anton Lisky. But as soon as she is released, Lisky's work colleague is killed. Was Karla wrong?

Fatma is around 50, a housewife with six children. She lives in Vienna but grew up in Turkey and clings stubbornly to the traditions and values of the old country. Ayse is 19, and the film begins with her wedding in rural Turkey, to Fatma’s son Hasan. However, when the family takes Ayse to Vienna this is revealed as a charade, for Ayse is to be the kuma (second wife) of Fatma’s husband Mustafa.

Fatma is around 50, a housewife with six children. She lives in Vienna but grew up in Turkey and clings stubbornly to the traditions and values of the old country. Ayse is 19, and the film begins with her wedding in rural Turkey, to Fatma’s son Hasan. However, when the family takes Ayse to Vienna this is revealed as a charade, for Ayse is to be the kuma (second wife) of Fatma’s husband Mustafa.

The protagonist, a man in his early 30s, is primarily interested in one thing: rap music. The family always comes second. After his wife leaves him over night, he can no longer ignore his sons. Even though the emotional distance seems irreconcilable, he increasingly gains authority in his paternal role - that is, until mother Conny suddenly returns.

Two men who do not know each other: Ertan, a 35-year-old ex-convict who is trying to make amends for his past actions, and Mikail, a teenager drug dealer and aspiring musician. However, both will have to face the same reality.

An irreparable mistake in a case of abuse that drives the accused, a pastor, into suicide, prompted Kommissar Höllbacher to resign.

Cem Balta, an aspiring imam, lives in Hanover with his wife Sehra and daughter Hanna. For the family, German culture is just as much a part of their lives as Turkish culture. At least that's what they thought until now. But when they take in Pia, the child of a friend, after a tragedy, they suddenly find themselves confronted with old prejudices. Even in their immediate environment, their decision to raise Pia causes heated discussions. And soon Pia's grandparents Christine and Theo Unger, who do not want their granddaughter to grow up with strangers and certainly not with practicing Muslims, also get involved. A custody battle ensues, which suddenly becomes about values such as faith, family and home...

Is a murderer always a murderer? Karla Eckhardt supports easing measures for convicted murderer Anton Lisky. But as soon as she is released, Lisky's work colleague is killed. Was Karla wrong?