Gabriela Saidón

In an era marked by the reign of fluid relationships, through apps and blind dates, Alejo seeks to fill his sentimental void by constantly changing sex partners.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.

Four countries, four men - and four encounters that will call into question everything about themselves they thought they were sure of. Just when you thought things couldn't get any more complicated, along comes a boy to add a fresh perspective. The 4 short films are: Billy Boy (2021); Summer [Verano] (2022); Fabiu (2023); Czechoslovakia [Checoslovaquia] (2022).

Pablo wants to go to Brazil to see his father. His mother repeatedly promises that they will go soon, but she never keeps her promise. Pablo, tired of so many lies, sneaks into the car of Ringo, a new storytelling friend, and they go on a trip.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

Six characters. The search for oneself and the other. Frustration, intimacy, clumsy attempts to find them. Who are we when the bases of what define us are shaken? Who are we beneath the masks?

After an accident, Lorenzo begins to hear a persistent ringing that profoundly alters his relationship with the world.

An adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire.

Julia returns to her hometown and the neighbourhood she left years ago after being swindled. She’s here to sign a permit to authorize her daughter to move in with her father, but more than anything, she’s come back to recover money that she left there, and which would solve a lot of her problems. Returning to her past is nothing like she expected it to be.

As the day begins, a woman sets out to go about her routine, until she decides to take her children to the cemetery to see zombies. When she returns home, this interruption in her day will leave her with a strange and magical feeling.

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

In a poor neighborhood crisscrossed by a polluted river, Tati, a 14-year-old girl, is forced to grow up alone in a troubled and confusing context. While learning to sail on the river, she dreams of being a boat rower. A job only ruled by men.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.