Takashi Murakami

MAG・ネット is a television program aired on NHK which delves into the realm of otaku culture on a weekly basis. They cover a wide range of things, from seiyuu, games, animators, manga artists, etc and do a very good job creating a professional and illuminating weekly documentary. This is a special on the work and life of japanese master animator Yoshinori "Iko" Kanada.

Studio Ghibli is Japan's most successful animation studio, with helmers Hayao Miyazaki ("Spirited Away," "My Neighbor Totoro") and Isao Takahata ("Grave of The Fireflies," "The Tale of Princess Kaguya") creating a bonanza for producer/prexy Toshio Suzuki. Generously adorned with clips from their films and their influences, the docu follows Ghibli's arc from a mid-'60s rebellion against working conditions at Toei Co. to its present powerhouse position, complete with public fun park. All interviews are illuminating, but Miyazaki is teasingly confined to pic's tete-a-tete finale with esteemed French comic artist Jean "Moebius" Giraud. Meeting of the wizened European, whose imprint is on films from "Blade Runner" to "The Fifth Element," and the apparently relaxed Nipponese helmer makes an interesting contrast, and will be of special interest to Francophiles. All credits are impeccable

Documentary giving an extensive look into the design and development of the creatures created for artist Takashi Murakami's first feature film, Jellyfish Eyes.

About the Japanese artist Takashi Murakami. We get an unique look at the creative process before a solo exhibition in Tokyo during 2024.

Takashi Murakami takes us through what led him to cancel work on Jellyfish Eyes 2

In present-day Japan, little Masashi moves from an evacuation center to a small village. There, he will discover that every child has the ability to communicate with a fantastic creature, but they are being used in an evil plan to collect the children’s negative energy.

In present-day Japan, little Masashi moves from an evacuation center to a small village. There, he will discover that every child has the ability to communicate with a fantastic creature, but they are being used in an evil plan to collect the children’s negative energy.

While waiting to meet her friends outside of a Louis Vuitton store, Aya's cell phone is eaten by the LV Panda, who then promptly swallows Aya - but the inside of his stomach is gateway to a psychadelic wonderland. Based on characters created by famed superflat artist Takashi Murakami.

While waiting to meet her friends outside of a Louis Vuitton store, Aya's cell phone is eaten by the LV Panda, who then promptly swallows Aya - but the inside of his stomach is gateway to a psychadelic wonderland. Based on characters created by famed superflat artist Takashi Murakami.

You may know his artwork from Kanye West’s newest album Graduation or Murakami’s most recent venture with Louis Vuitton (both of which are showcased at his retrospective currently at the MOCA, going insofar as having a Vuitton store within the exhibit.) but what you should know Murakami for is his sculpture and video work. Rarely does one have the pleasure of seeing a video so provocatively strange to the point of being borderline disturbing, while simultaneously being extremely hilarious, and remarkably well made.

The sequel to Superflat Monogram (2003). The short celebrates six years of collaboration between Louis Vuitton and Japanese modern artist Takashi Murakami.

The sequel to Superflat Monogram (2003). The short celebrates six years of collaboration between Louis Vuitton and Japanese modern artist Takashi Murakami.

"For three years or so, there were frequent protests against nuclear power, but they have since died down. Now that the Olympics are coming to Tokyo, the government is asserting its safeness. There was an episode in a Netflix series about dark tourism that visited the area around the Fukushima Nuclear Power Plant, but it was later revealed that the guide was an actor. It seems that the area of catastrophe is now part of cultural curiosity and entertainment."

Takashi Murakami takes us through what led him to cancel work on Jellyfish Eyes 2