
Acting
Darya Semyonova
Born 1980-12-29 · Moscow, USSR
Darya Semenova (born December 29, 1980, Moscow) is a film and theater actress. Honored Artist of Russia (2021). Since 1998 she has worked at the Mayakovsky Theatre. She took the first place in the competition of readers of the RATI (2001). In 2002, she graduated from the RATI (GITIS), the course of A.A. Goncharov. In 2002, she joined the troupe of the Russian Academic Youth Theater. Winner of the Moscow Debuts Award for the main role in the play "Tanya" (2003).
Acting credits
NRA story of separation and reunion unfolding in an astronomers' village – a place where space isn't screened off by streetlights or the noise and bustle of the city.
The Temperature of the Universe
2026
4.6Europe, 1709. Russia and Sweden are at war. Two French duelists are exiled by King Louis XIV of France: one to the side of Czar Peter the Great of Russia, the other to the side of King Charles XII of Sweden. Although separated by war and allegiance, fate has not finished with them.
The Sovereign's Servant
2007
1.0No synopsis available yet.
In the Autumn of the 41st
2016
NRThree short stories – "Irina", "Mitya", "Seryozha" – are three days from the life of a modern business woman, her adult son and her grandson, whose existence the father and grandmother find out only five years after his birth.
Turbulence Zone
2011
4.3In present day Moscow three childhood friends in their forties - former school band players - live their everyday lives of a police officer, a taxi driver and a surgeon. They have lost track of each other. Three stories of betrayal, love and ageing are told in parallel. In fact, unknown to our heroes, their paths cross and their lives become connected. But they are not aware of it even when they reunite for a breaking performance at their graduation anniversary.
Gromozeka
2011
Exploring the creative agency of backstage professionals at one of Moscow’s iconic stages, the RAMT. Across four chapters, this work probes the boundaries of artistic expression: where does the technician’s own creativity begin?
The “Non-Creatives” of Theatre
2022