P. Padmarajan

Chellamma is an orphan raised by her late mother's friend Valli Akka. Her life takes an unfortunate turn when she meets the pump operator of the village.

An investigating officer, Inspector Achuthankutty, suspects the involvement of three women while trying to find the culprit behind the murder of a popular director and writer.

An investigating officer, Inspector Achuthankutty, suspects the involvement of three women while trying to find the culprit behind the murder of a popular director and writer.

Alice is a teacher at a boarding school in Ooty. A prodigal and unruly son of a Member of Parliament Xavier Puthooran, Ravi Puthooran joins the school in Alice's class. Alice manages to mentor him into a good student.

Alice is a teacher at a boarding school in Ooty. A prodigal and unruly son of a Member of Parliament Xavier Puthooran, Ravi Puthooran joins the school in Alice's class. Alice manages to mentor him into a good student.

Thinkalaazhcha Nalla Divasam is a 1985 Malayalam drama film written and directed by P. Padmarajan. It stars Mammootty, Kaviyoor Ponnamma, Karamana Janardanan Nair and Srividya in pivotal roles. Thinkalazhcha Nalla Divasam movie tells two sons and their families get together to celebrate their mother's 60th birthday in their ancestral house. But problems develop when the younger son (Mammootty) reveals his plan to sell the house for Money and put the mother in an old age home.

Thinkalaazhcha Nalla Divasam is a 1985 Malayalam drama film written and directed by P. Padmarajan. It stars Mammootty, Kaviyoor Ponnamma, Karamana Janardanan Nair and Srividya in pivotal roles. Thinkalazhcha Nalla Divasam movie tells two sons and their families get together to celebrate their mother's 60th birthday in their ancestral house. But problems develop when the younger son (Mammootty) reveals his plan to sell the house for Money and put the mother in an old age home.

The story takes place in a small village surrounded by hills and valleys. Young Pappu, a teenager, awaiting school results to go to college, has plenty of time on hand. His trouble is adolescence, but neither his mother nor his aunt can diagnose his affliction. Everything around him excites and stimulates his sexual curiosity. Twenty plus Rathi, the girl next door, has been chechi (elder sister) to him since he was a child. Unaware of the stirrings of his desire, she dismisses his first overtures to her as boyish pranks. But soon her feelings change. She is sympathetic to the boy's confusion and goes to the sarppakkavu (cobra-shrine) to keep a midnight date with Pappu. It storms and thunders while Pappu makes love to Rathi. Only then do the storms—the one tormenting him inside his mind and the other raging thunderously on the outside, subside. Aghast at what has happened,

Peruvazhiyambalam is a 1979 Malayalam film directed by P. Padmarajan based on his novel of the same name. It marked Padmarajan's directorial debut and the acting debut for Ashokan who plays the central character Raman. The film is an incisive examination of how violence or totalitarianism works in our society; it dealt with disturbing questions relating to masculinity and how people adore and dread it at the same time. The Hindu described this film as one of the finest films in Malayalam. It won the National Film Award for Best Feature Film in Malayalam. The film was included in IBN Live's list of 100 greatest Indian films of all time.

Peruvazhiyambalam is a 1979 Malayalam film directed by P. Padmarajan based on his novel of the same name. It marked Padmarajan's directorial debut and the acting debut for Ashokan who plays the central character Raman. The film is an incisive examination of how violence or totalitarianism works in our society; it dealt with disturbing questions relating to masculinity and how people adore and dread it at the same time. The Hindu described this film as one of the finest films in Malayalam. It won the National Film Award for Best Feature Film in Malayalam. The film was included in IBN Live's list of 100 greatest Indian films of all time.

The film starts out as a campus story involving four boys, Thomas, Ravi, Alosius and Swami. There is the usual pranks that the boys of the age do, although the movie doesn't just revolve around these.The second half of the movie takes us to scenic locales of Munnar. The second half also introduces the major female character, Molu. The movie centres around the problems faced by them in a hotel in Munnar.

Three friends, Sakharia, Gopi and Bilal go to a brothel for enjoyment. They find a girl who was forced into prostitution and decide to save her.

Three friends, Sakharia, Gopi and Bilal go to a brothel for enjoyment. They find a girl who was forced into prostitution and decide to save her.

Viswanathan comes to the city for a job interview, only to find himself entangled in a crisis due to his resemblance with a gangster. Frustrated, he decides to find and face his doppelgänger with the help of a police inspector friend, but finding the imposter proves difficult, and the further they dig, the more mysterious and shocking their findings.

Viswanathan comes to the city for a job interview, only to find himself entangled in a crisis due to his resemblance with a gangster. Frustrated, he decides to find and face his doppelgänger with the help of a police inspector friend, but finding the imposter proves difficult, and the further they dig, the more mysterious and shocking their findings.

Viswanathan comes to the city for a job interview, only to find himself entangled in a crisis due to his resemblance with a gangster. Frustrated, he decides to find and face his doppelgänger with the help of a police inspector friend, but finding the imposter proves difficult, and the further they dig, the more mysterious and shocking their findings.

Thampi, a retired old man, leads an isolated life in the village and is excited for his grandson Pachu's return. He welcomes Pachu and his friends, but his happiness is short-lived.

Thampi, a retired old man, leads an isolated life in the village and is excited for his grandson Pachu's return. He welcomes Pachu and his friends, but his happiness is short-lived.

Thampi, a retired old man, leads an isolated life in the village and is excited for his grandson Pachu's return. He welcomes Pachu and his friends, but his happiness is short-lived.

After a serious accident a girl who was hospitalized forgets her past. She stops worrying about her past when she fall in love with a man and finds herself secure with him.

After a serious accident a girl who was hospitalized forgets her past. She stops worrying about her past when she fall in love with a man and finds herself secure with him.

Oridathoru Phayalvaan is a 1981 Malayalam film written, edited and directed by P. Padmarajan. The film is a folk parable about the success and failure in the life of a wrestler. Having an unusual and different plot, the movie was critically acclaimed. It stars Rashid, Nedumudi Venu and Jayanthi in the lead roles. It won the award for Best Script at the Kuala Lumpur International Film Festival, and a Gold Medal at the Asian Film Festival.

Oridathoru Phayalvaan is a 1981 Malayalam film written, edited and directed by P. Padmarajan. The film is a folk parable about the success and failure in the life of a wrestler. Having an unusual and different plot, the movie was critically acclaimed. It stars Rashid, Nedumudi Venu and Jayanthi in the lead roles. It won the award for Best Script at the Kuala Lumpur International Film Festival, and a Gold Medal at the Asian Film Festival.

Nakshathrangale Kaaval is a 1978 Indian Malayalam film adaptation of the Kerala Sahitya Akademi Award-winning novel of the same name by P. Padmarajan. It is directed by K. S. Sethumadhavan and produced by Hari Pothan and stars Jayabharathi, MG Soman, Sukumari and Adoor Bhasi in the lead roles.

Pavithran is a petty thief who wants to regain his lost image. He asks mill owner Mamachan for a job, but is turned down. However, a robbery in Mamachan's house changes Pavithran's life forever.