Pauline Jacquard

In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.

The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.

Young Violetta and her mother Hannah are a peculiar couple. Ten-year-old Violetta lives a quiet life with her grandmother, while her mother Hannah is an unpredictable photographer who lives off of the generosity of others. When Hannah forces her daughter to pose as a model, Violetta finds her life with her loving grandmother turned upside down.The resulting pictures quickly become a sensation for the trendy 70's Paris art scene, and Violetta finds herself caught in between her new stature as an art muse and her dull childhood.

1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.

An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.

The French Trilogy showcases a series of 62 photographs taken by Philippe Terrier-Hermann with 25 actors in 6 French regions echoing his previous project, The American Tetralogy. Questioning the relationship between cinema, landscapes and representations, this project features a song by Edward Barrow and was visible in public space in France during the summer of 2013, through a distribution system borrowing from advertising strategies.

During his acceptance speech for a lifetime achievement award, Nicolas Chauvin – a farmer-soldier, a veteran of the Revolutionary Army and the Napoleonic Wars, “father” of the chauvinism that bears his name – embarks on a monologue and recounts his life story. At the bend of a road, a spectral encounter shocks his (non-)existence.

We see a succession of scattered glam images: beat-up figures on lucid papers and dreamlike landscapes, until the (apelike) apparition of a model and her photographer. Together, they will play martyr and demiurge. They will attempt to achieve grace in a world of moving surfaces.

Four seasons to tell the fluctuating moods and mores of a small community that shares its daily chores and life experiences in the military base of Fort Buchanan. In this imagined (perhaps dreamed?) location, peculiar habits respond to the needs of a peculiar environment. Roger, a fragile gay man, and his female companions, trying to cope with the absence of their husbands, go through their own brand of challenges for survival, with their own form of outdoor camaraderie, thought-occupying chat and DIY activities. Roger has a tough daughter who runs him ragged, but he has buddies willing to help: Justine, Denise, Pamela and Claudia-Joy.

While creating SHE IS CONANN, Bertrand Mandico also filmed two short films simultaneously to create an entire "Barbarian Cycle" that brings you deeper into the world that Mandico has created. Presented in this program are: Rainer, A Vicious Dog in a Skull Valley (26min); Apocalypse After (35min); and We Barbarians (27min).

Nouk and Samuel love each other, but they are young and possessive and awkward. One day, Nouk abruptly loses Samuel, who finds himself in limbo.

When Roger's husband deploys to Djibouti, he's left alone at Fort Buchanan with his temperamental daughter Roxy. Her violent outbursts drive him to seek comfort in friends and self-confidence through boxing lessons with a personal trainer.

A man lies on the ground, stabbed. Going backwards (“à rebours”) we will find out what happened shortly before.